Music Appreciation – Lesson Name: The Baroque Era
Exam Number: 350701RR Lesson Name: The Baroque Era
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3. The most famous castrato was | ||||||
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4. A fugue is based on the _______ development of a melody. | ||||||
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5. The main melody of a fugue is called the | ||||||
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6. The gospels are biblical books that tell the story of the birth, life, and death of Jesus Christ. A gospel set to music is called a/an | ||||||
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7. Italian baroque opera reached its height with: | ||||
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8. Which of the following is a multimovement instrumental work? | ||||||||||||||||||
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11. Which composer was part of the group that developed French opera? | ||||||||||||||||||
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12. Barbara Strozzi is most famous for her compositions of | ||||
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13. A work frequently composed for solo instrument and consisting of a series of movements based on dance rhythms is called a | |||||
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14. Which of the following characteristics was least important to Baroque composers? | |||||
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15. The Protestant Martin Luther wrote many melodies for | |||||
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16. Transitional sections that occur between statements of the subject in a fugue are called | ||||
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17. Bach lived and worked in | ||||
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18. The _______ is often called the “king” of instruments. | ||||
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19. Instrumental ensemble music that normally requires only one player per part is called | |||||
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20. A four-movement work with the movement structure slow-fast-slow-fast and that was supposedly intended for performance in church is called a | |||||
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Exam Number: 350701RR
Lesson Name: The Baroque Era
1.
When might
an audience expect to hear an overture?
A.
At the end of an opera
B.
After the first movement of a large
–
scale vocal work
C.
At the beginning of an oratorio
D.
In between movements of a cantata
2.
The greates
t baroque church musician (composer) was
A.
Claudio Monteverdi.
B.
Henry Purcell.
C.
Johann Sebastian Bach.
D.
Jacopo Peri.
3.
The most fa
mous castrato was
A.
Farinelli.
B.
Caccini.
C.
Peri.
D.
Monteverdi.
4.
A fugue is based on the _______ development of a melody.
A.
monodic
B.
episodic
C.
polyphonic
D.
improvised
5.
The main melody of a fugue is called the
A.
prelude.
B.
subject.
C.
episode.
Exam Number: 350701RR
Lesson Name: The Baroque Era
1. When might an audience expect to hear an overture?
A. At the end of an opera
B. After the first movement of a large-scale vocal work
C. At the beginning of an oratorio
D. In between movements of a cantata
2. The greatest baroque church musician (composer) was
A. Claudio Monteverdi.
B. Henry Purcell.
C. Johann Sebastian Bach.
D. Jacopo Peri.
3. The most famous castrato was
A. Farinelli.
B. Caccini.
C. Peri.
D. Monteverdi.
4. A fugue is based on the _______ development of a melody.
A. monodic
B. episodic
C. polyphonic
D. improvised
5. The main melody of a fugue is called the
A. prelude.
B. subject.
C. episode.