How did studies take place in the universities during the Middle Ages?  How effective was this type of education?

Questions addressing factual issues only are highlighted in bold print (#1, 3, 4, 5, 6). Answer no more than one of the questions in bold print for credit. Questions dealing with primary source material are not highlighted in bold print. Answer two primary source questions, each dealing with a different source document (Questions 2, 7-12 relate to The Historia Calamitatum and questions 13-15 relate to Jacques de Vitry’s account of medieval students). No credit will be given for a second answer to a question in bold print, or to a second answer dealing exclusively with the same primary source document you have already addressed.

  1. Abelard chose the life of a scholar. Considering his family’s position, what other choices might he have made? What advantages and disadvantages did a scholarly life seem to have over these alternatives?
  2. Using the Abelard reading and the textbook, how did scholarly studies take place during the Early Middle Ages before the founding of the universities?
  3. How did studies take place in the universities during the Middle Ages?  How effective was this type of education?
  4. Who attended universities and for what purposes? What was university life like?
  5. How were medieval universities similar to our universities? How were they different?  How important to education are the similarities and differences?
  6. What does “theology” mean? Why was theology the most important intellectual pursuit of the Middle Ages?
  7. Based on his scholarly life and his seduction of Heloise, how would you evaluate Abelard’s character?
  8. Using the text book and this document: why was Heloise not a typical medieval woman?
  9. What do Heloise’s action and arguments tell you about her character?
  10. Can you compare Heloise to any eminent women from the modern era?
  11. From your text and from these readings, what can you conclude about how medieval women were valued? How are women valued in the modern world? How different are the valuations?
  12. What apparently was the medieval attitude toward marriage and celibacy? Why did they value celibacy during the Middle Ages? Why is celibacy not as valued in the modern world?
  13. What are your impressions of medieval students at Paris after reading Jacques de Vitry’s account of them? How does he characterize his fellow students based on nationality, field of study, or behavior?
  14. From your reading of both Abelard and Jacques de Vitry, what are the issues and problems that medieval students had that can also be found among students today?
  15. If you could select your class and gender, would you prefer to live in the medieval or the modern era? Why? Use the documents to support your contentions.

)Describe one of the major symbolism of the N. American Pipes as you learned from the modules.

1-Masks in Our Society

How do we in our society approach the tradition of mask wearing?  Can you think of a ceremony, ritual in which you are required or invited to wear a mask?  How is this experience different than those of the Yupik people?

 

2-Please choose one of the topics below :

A)Comment on the significance and importance of Haida poles.

B)What stylistic characteristics do you think the artist used to create and/or achieve human aspects of the Kwakiutl transformational mask?

 

3-comment on the exaggerated features of Kwakiutl masks. What do they signify?

 

4-Think about the way of life for both the high-ranking Puebloans and the Adenas. What do the artifacts and their built environment tell us about their daily rituals?  Make sure you discuss specific objects discussed in the module and build your argument around examples with identifications and details.

 

5-Please only choose one of the two topics below:

A)Describe one of the major symbolism of the N. American Pipes as you learned from the modules.

B)Daily rituals: Shamans, objects and the structure.  Think about the way of life for both the high-ranking Puebloans and the Adenas. What do the artifacts and their built environment tell us about their daily rituals?

http://www.time.com/time/magazine/article/0,9171,1169905-1,00.html

http://images.library.amnh.org/digital/index.php/items/show/5869?search=burial%20masks&submit_search=Search

https://www.khanacademy.org/humanities/ap-art-history/indigenous-americas/a/fort-ancient-culture-great-serpent-mound

https://ilearn.laccd.edu/courses/13421/files/878992/download

http://books.google.com/books?id=PQVOAwAAQBAJ&pg=PT59&lpg=PT59&dq=mesa+verde+cliff+palace+cremation&source=bl&ots=0obQdn_vTq&sig=gScCVetE8YMiCDVUSZD5t2x-iME&hl=en&sa=X&ei=MNxFVMGsOe3P8QGpjoHgBA&ved=0CD8Q6AEwBg#v=onepage&q=mesa%20verde%20cliff%20palace%20cremation&f=false

http://anthropology.si.edu/founding_collections.html

http://www.metmuseum.org/connections/masks#/Feature/

https://www.khanacademy.org/test-prep/ap-art-history/indigenous-americas/a/transformation-masks

http://www.prm.ox.ac.uk/totem.html

http://www.brooklynmuseum.org/opencollection/objects/131362/Kachina_Doll_Paiyatemu

 

What are some methodological considerations that you must attend to in writing an oral history?

Instructions

Follow these instructions to complete your essay:

  1. Choose an individual to collect an oral history of their experiences of one or more of the historical events listed below (remember, these can overlap depending on the time). This individual can be a family member, a friend, a community member, an educator or anyone else who lived through or has direct knowledge about this selected time and its legacies:
    1. Living under Jim Crow
    2. The Great Migration
    3. The Civil Rights Movement
  2. Follow these guidelines when collecting your oral history:
    1. Be clear in your own mind what you want to find out.
      • Only conduct your interview after you have completed the associated learning module so you know a little more about your subject of inquiry. Bring along or share other sources of information that you have, such as news clippings, photographs, or course readings. Also, ask your source to bring anything they can share with you, such as a scrapbook, a photo album, or other important media. These materials can help spark memories or deepen the conversation.
    2. Acquire Informed Consent.
      • Please make sure you explain to the interviewee prior to the conversation the purpose of the interview, what you hope to accomplish, and that you will only use what is spoken about for the oral history essay you have been assigned for class. Tell them why you selected them and what you hope to find out. Then explicitly as for their verbal permission or consent to undertake the interview. You are required to keep the conversation anonymous and not share any of the information to anyone other than your instructor via your essay. If you choose to use a tape recorder, you must ask for permission to record the conversation and once you have used the data obtained from the recording, you must destroy the content of the recording. Again, you are only allowed to use this information for the purposes of this class assignment.
    3. Create a list of questions to use as a guide.
      • Use open-ended questions rather than general questions that can only be answered by “yes” or “no”. For example, “What are some of the things that you can remember happening to you at school?” NOT “Do you remember what happened to you this school year?” These questions are meant to help prompt your source to begin discussing their experiences.
    4. You do not have to follow your list exactly.
      • Undertaking a semi-structured interview means that you only use your list of questions as a guide. Anticipate that the conversation will flow organically out of these questions, but may go in a different direction than you originally intended. It is important that you learn from the information being conveyed to you so some interesting items will emerge that you might not have thought to ask about. Of course, if the conversation gets seriously off topic, then you can bring it back using another question on your list.
    5. You do not have to write everything that is said.
      • It is important not to distract yourself with writing down every word that the interviewee says, but rather to take short notes to remind yourself about what was said after the interview is over. Sit down and write out what the person said as soon after the interview as possible. Remember to also right notes about your own impressions, feelings, and reflections about what was said. If you have access to a tape recorder you can use it during the interview and transcribe what was said later, again not necessarily transcribing each and every word that was said, but point to things that made an impression on you.
  3. Write an analytical essay about your oral history. Your essay must include all of the following components, in no particular order:
    1. In Module Two, Paul E. Lovejoy introduces us to the importance of methodology in the consideration of African American histories.
      1. You must provide the context for your interview by framing the historical period/moment in your own words, drawing from your knowledge gained in the course. Please cite all sources used.
      2. Position your oral history as a text that contributes to the production of knowledge within African American Studies. What do oral histories offer us as we attempt to redress the silence of African American experiences within the dominant canon of U.S. history? How can oral histories be viewed as a “revisionist” approach to the historical study of Jim Crow, the Great Migration, and/or the Civil Rights Movement?
      3. What are some methodological considerations that you must attend to in writing an oral history? Do you focus on demographic details in determining the why, when, and how of individual lives? Do you focus on geography and the spatial aspects of social relationships? To what extent might you weave into the story biographical accounts? A sociological analysis of the process by which individuals formed new communities and new identities? How might you “unpack” the use of categories and labels “in context”? How might you manage the problem of chronology and time? (Please review Lovejoy’s discussion and Chapter Two lecture presentation, as well as the WPA Slave Narratives readings).
    2. You must then share the selected parts of your oral history that stood out or made an impression on you. Tell us a bit about your interviewee and the experience s/he shared with you. What new information did you learn? How has your understanding of the topic deepened? Be specific.
      1. Use Chapter Three of CG Fleming’s Soon We Will Not Cry as a model for how to write from an oral history. You must analyze the information gained through applying concepts, ideas, and arguments encountered in the course.
      2. Reflect upon what you learned from undertaking an oral history? Why do you think oral histories are important to your understanding of the topic at hand? What did you learn that no academic reading could teach you?
    3. To what extent does your oral history help to correct the largely absent “herstory” of African American Studies? Beverly Guy-Sheftal urges “a new angle of vision” and “new questions” to be asked when taking a black feminist approach to African American Studies. What new questions might offset the dominant conceptual frameworks that have been shaped by a “hegemonic black nationalist discourse” that conceptualizes black liberation as heavily focused on “recuperating black manhood, constructing patriarchal families, and ending racism,” while at the same time silencing other intersecting forms of oppression (gender, class, sexuality)? Can you provide an analysis for how gender, race, and class intersect in the experience of your interviewee?
    4. Please attach a bibliography and your list of questions as an appendix to your final essay (Note: not included in the 7 page minimum).
  4. Format your essay according to these guidelines:
    • Length: 5-7 pages
    • Line spacing: double-spaced
    • Font: 12-point Times New Roman
    • Margins: 1-inch
    • Footer and/or header: include your name and page numbers
    • Bibliography: follow the APA Formatting and Style Guide; this is not included in the page minimum.
    • File format: .doc or .docx
    • File name: “yourname_essay2”

What role did the government play in defining, protecting, and/or limiting the liberty of American workers during the Gilded Age?

For part 2 of the Unit 1 Exam, choose ONLY 1 essay question from the list below, which covers chapter 15 and part of chapter 16 in the textbook. Grades will be based on the content of the answer and must be more than 300 words in length. Direct quotes do not count toward the required word count.

Part 2 Essay Questions:

1 – What did freedom mean for the ex-slaves? Be sure to address economic opportunities, gender roles, religious independence, and family security.

2 – Reconstruction witnessed profound changes in the lives of southerners, black and white, rich and poor. Explain the various ways that the lives of these groups changed. Were the changes for the better or worse?

3 – Stating that he “lived among men, not among angels,” Thaddeus Stevens recognized that the Fourteenth Amendment was not perfect. Explain the strengths and weaknesses of the Fourteenth Amendment. What liberties and freedoms did it extend in the nineteenth century—and to whom? How did it alter the relationship between the federal government and the states?

4 – Who were the Redeemers, what did they want, and what were their methods? How did the Redeemers feel that their freedom was being threatened by Radical Reconstruction? Conclude your essay with a comment on how you think the federal government should have responded to the Redeemers.

5 – Was Reconstruction a success or a failure? Or was it something in between? In your response, consider land policy, key legislation during Presidential and Radical Reconstruction, southern politics, racial and political violence, and northern “fatigue” with Reconstruction. Be sure to make clear what you mean by success and failure.

6 – The debate surrounding the creation and ratification of the Fifteenth Amendment divided one-time political allies over the matter of women’s suffrage. What were the arguments for and against including a woman’s right to vote in the Fifteenth Amendment? What did this debate say about the boundaries of freedom defined by Reconstruction?

7 – What role did the government play in defining, protecting, and/or limiting the liberty of American workers during the Gilded Age?

8 – Henry Demarest Lloyd wrote in Wealth against Commonwealth (1864), “Liberty and monopoly cannot live together.” Based on your knowledge of the Gilded Age and the industrial revolution, assess the validity of this statement.

9 – How did the labor movement launch a sustained assault on the understanding of freedom grounded in Social Darwinism and in the liberty of contract?

10 – Compare the motives and methods of the various social reformers active in the Gilded Age. How did the efforts of thinkers such as Henry George, Laurence Gronlund, and Edward Bellamy differ from those of the Protestant and Social Gospel reformers of the period? Were any of these approaches more successful than others? Why, or why not?