Write a 5 pages paper on the power of nonviolence. Significantly, only an insignificant number is able to rebel against inequities, and they do it rarely. However, he postulated that, for those who have cramped life, they have nothing noble for acquiescence, even the mere submission to a deity (Zinn, 1959).

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Write a 5 pages paper on the power of nonviolence. Significantly, only an insignificant number is able to rebel against inequities, and they do it rarely. However, he postulated that, for those who have cramped life, they have nothing noble for acquiescence, even the mere submission to a deity (Zinn, 1959).

It is worthwhile noting that. Muste has confessionary emphasized the role of being upright in all endeavors. He has persuaded people to abide by the right deeds and keep off the wrongdoers for each shall receive according to his efforts. Consequently, for one to engage, tolerate, or trade-in pacifism he is significantly not connected to passivism. Consequently, he has clearly provided a flourishing confessional approach to nonviolent confessions. Concisely, he has confessionary justified nonviolent revolutions by activists. Therefore, in a world based on violence, an individual must portray revolutionary aspects prior to pacifist qualities (Zinn, 1959).

My argument is that, based on a confessional approach, the author that Muste has not inspiring addressed the issue of nonviolence. Significantly, he has demeaned those individuals who would feel sorry for their deeds and would wish to decline their evil lives. For instance, he has argued that the evildoers do not have a right to access superior forces. Therefore, he has implied that the righteous have an enhanced right of access to the deities. Concisely, Muste has confessionary, provided divergent insights on the nonviolent revolution, due to his incredible remarks on the fate of individuals who are acquiescent.

Though A.J. Muste follows the logic of Christian nonviolence extremely carefully, the advantage of hindsight, this module explores the argument in pacifism as naive when adapted to the political realities of Muste’s time.

Current research has revealed that, once a certain war is over the challenge, is always based on the victor. Significantly, the above crisis erupts from the friction where there is a problem to identify the agent of teaching the victor. Consequently, there is hardly any other way towards peaceful coexistence apart from the peace itself.

Debating Rococo’s Role in the French Revolution. The work is to be 2 pages with three to five sources, with in-text citations and a reference page.

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I will pay for the following article Debating Rococo’s Role in the French Revolution. The work is to be 2 pages with three to five sources, with in-text citations and a reference page. How Rococo Art Influenced the French Revolution I. Introduction Rococo art came at the end of the Baroque period. Whereas Baroque art was very elegant and ethereal, Rococo art focused on sensuality and the livelihood of parties occurring in utopian conditions. Pastel colors and light and airy scenery characterized Rococo art. With regard to the French Revolution, Rococo art was the motivation, the precursor, and the decoration that characterized French society in the early 18th Century. II. Rococo Art: Motivation for a Revolution Rococo art was definitely one motivation for the French Revolution. The lower classes were tired of the bourgeoisie taking advantage of them by taxing them mercilessly while people were struggling to survive in brutally horrible socioeconomic conditions. “But the poor, who paid for the…[wealthy aristocrats’ party] (because they were the only taxed segment of French society), the whole period had a let-them-eat-cake feel and helped ignite the French Revolution of 1789. The celebration started [with the death of King Louis XIV, when] French aristocrats felt liberated.”1 In fact, after Marie Antoinette said, “Let them eat cake,” that phrase was coined to mean that one had insensitivity to the plight of the less fortunate, and especially with regard to being poor. It was thought that the French aristocracy had no idea how much their own constituents were suffering in abject poverty while they attended lavish parties and lounged in luxury. III. The Precursor to the Revolution Many French did not take kindly to the notion that the people and scenes being depicted in Rococo art was indeed true-to-life. They were angry that they were languishing in poverty while their aristocrat counterparts luxuriated in posh surroundings. The French had basically become disenchanted with the fact that their leaders were taking advantage of their wealthy status in order to promote themselves and their agendas, while many pressing matters important to the underprivileged were left unattended. For example, there was a severe food shortage which led up to the French Revolution—and Rococo art was summarily despised by the lower classes, who saw this type of art as an accurate depiction of the drunkeness, slovenliness, and debauchery that was going on behind closed doors within the French aristocracy. IV. The Decoration Characterizing French Society in the Early 18th Century The kind of artistic decoration that characterized Rococo art included Jean Antoine Watteau—famous for his fetes galantes, or lavish party scenes—and Francois Boucher, whose paintings tend to emphasize ‘mounds of pink flesh.’2 Source: Watteau 2011: 1. The painting above exemplifies the idea behind the fete galante, that the lavish parties of the French aristocracy were captured in such paintings. Also, another famous painting which follows—this one by Francois Boucher—is one of Madame de Pompadour, who was a marquise as well as being the courtesan of King Louis XV from 1745 until her demise in 1764. Source: Boucher 2011: 1. Rococo was not merely decoration, however. it defined an era. “Twenty-two years after Fragonard painted The Swing, the French Revolution unleashed the pent-up resentment of the underclasses. By that time, sensual Rococo paintings had fallen out of favor and Fragonard was living in poverty.”3 People depicted in these paintings like that of The Swing evoke the luxurious, pampered lifestyles of the rich and famous in early 18th-century France. Source: Wilder 2007: 223. V. Conclusion The period in which Rococo art flourished influenced many paths to take shape. Not only did Rococo art serve as motivation for the French Revolution, but it also was the precursor to the Revolution—not to mention a type of decoration which characterized early 18th-century French society. Truly, Rococo art was not merely an art form but an artistic revolution. WORKS CITED Boucher, Francois. Painting via Google Images, 2011. Available: . Cunningham, Lawrence S., et al. Culture and Values, Vol. II: A Survey of the Humanities with Readings. U.S.: Cengage Learning, 2009. Pp. 399. Watteau, Jean Antoine. Painting via Google Images, 2011. Available: . Wilder, Jesse Bryant. Art History for Dummies. U.S.: For Dummies, 2007. Pp. 219, 223.

prepare and submit a paper on the libertarian, social responsibility, and political economic theories regarding role of mass media in society.

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Your assignment is to prepare and submit a paper on the libertarian, social responsibility, and political economic theories regarding role of mass media in society. Mass media is any medium used by an individual or group of persons to transmit a message to a large group of audience. Essentially, mass media provides the venue for social communication, which helps in the administration of human affairs (Lorimer, Gasher & Skinner, 2008). Numerous scholars from the fields of journalism, humanities, and sociology have pointed out that in order to thoroughly understand mass media, it is important to study it in the context of mass communication.

Mass communication, like any form of communication, is defined both as message content and as a communication process, which results from the interaction between the sender and the receiver of the message. The result of this interaction is the shared meaning about a certain phenomenon, and grouping together these ‘shared meanings’ can help in the construction of social reality. Contextually, therefore, mass communication influences the way people perceive themselves, other people, and the society they belong in.

While it is easy to claim that mass communication plays a vital role in the shaping of social reality, determining who dominates this process is a more difficult task. Is meaning dependent on the senders of messages, who control not only the content of the message but also the venue for its delivery? Or does it rely on the understanding and behavioral response of its intended audience? The key to answering these questions lies in revisiting the different forms of mass media today.

The forms of mass media can be categorized as traditional or digital. Traditional mass media is comprised of print, radio, and television, while digital mass media heavily concentrates on the internet. The ‘one-to-many’ nature of communication in traditional mass media has led scholars to believe that it is indeed the senders of messages who determine the meaning of communication message. This view is entirely different from the ‘many-to-many’ nature of communication in digital mass media, in which the variety and accessibility of information and the interactive environment both contributed to the creation of a more dynamic, empowered, and critical group of media consumers.

Riverbend Baghdad Burning: Women in Iraq. The work is to be 5 pages with three to five sources, with in-text citations and a reference page.

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I will pay for the following article Riverbend Baghdad Burning: Women in Iraq. The work is to be 5 pages with three to five sources, with in-text citations and a reference page. She recalls a situation whereby her family jumped out of bed to send emails and to wash clothes in the center of the night when the electricity is briefly reinstated. Interspersed with these stunning snapshots from the daily life is what Riverbend is trying to analyze. From the elusive working of the Governing Council of Iraqi to the Abu Ghraib torture, from the coverage provided by Al-Jazeera to the American media. Riverbend focuses on the fate of women whose freedom and rights have fallen victim to the intensifying fundamentalism in a messy postwar society.

Primarily, Riverbend stresses on the dangers that were experienced by the Iraq women after the US interference in the Iraq war. In her blog, Riverbend tries to express the primary chauvinisms that are experienced by the typical Iraq citizens, especially from a woman perspective. She recalls various versions of women chauvinisms including culture, government agencies including the Iraq Governing Council, US Troops among others. Riverbend starts by mentioning that war has been a way of life in Iraq for the last thirty years, both internal wars and wars with neighbors, in particular, the Iran Islamic revolution. She continues by mentioning that, what made things worse was the interference of the United States. During this period of the Iraq war, Riverbend pinpoint considerable courage that was shown by women especially during the gulf war period (River, 2003). Her message is not only courageous but inspiring to the audience. This piece is a significant portrayal of the situation at the particular time.

In more than one situation, Riverbend uses authorities to emphasize the severity of the situation in Iraq and especially in Bagdad. According to Riverbend, the Iraq authority is compromised. She mentions that the police did not have a great impact in dealing with issues relating to the various tortures that were experienced by women.