Global Media Industries
Labor, and Land Financialization via the Globalized Free Zone Studio.” Use Karl Schoonover and Rosalind Galt’s “The Queer Popular: Genre and Perverse Economies of Scale” to analyze Veneno (HBO Max). Use Anamik Saha’s “‘Diversity’ in Media and Cultural policy” and “The Racialisation of the Cultural Commodity” to analyze McKinsey’s “Black Representation in Film and TV: […]
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