2-1 Worksheet: Cultures And Artifacts Worksheet

HUM 100 Cultures and Artifacts Worksheet

 

Complete this template by replacing the bracketed text with the relevant information.

 

Part 1

In the first column, list three cultures you are a part of or that you identify strongly with, and rank them from most to least significant in your life. These can be national, ethnic, religious, regional, or local, and they can include subcultures or groups related to your personal interests.

In the second column, identify one representative object for each of the cultures you identify with on your list.

In a few words, explain how the cultural object reflects the culture in which it exists. Consider which aspects of culture have relevance for each object: politics, history, religion, social perceptions, technology, media, education, and so on.

 

Culture/Subculture Object Influence of Culture on the Object
[Insert text.] [Insert text.] [Insert text.]
[Insert text.] [Insert text.] [Insert text.]
[Insert text.] [Insert text.] [Insert text.]

 

 

Part 2

To complete the second table, select three reasons for creating an artifact from the resources provided, or provide your own reasons.

 

1. In the first column, state the reason for creating an artifact.

In the second column, provide an example of an artifact that could have been created for the reason presented.

In the third column, state whether the artifact was created by an individual or a group, and provide the name(s) of the creator(s).

 

Reason

Example of Artifact Creator
[Insert text.] [Insert text.] [Insert text.]
[Insert text.] [Insert text.] [Insert text.]
[Insert text.] [Insert text.] [Insert text.]

 

 

Select one of the artifacts and answer one of the following questions in one to two paragraphs:

 

Do you believe the creator was successful in achieving their purpose? Why or why not?

 

 

How do think the artifacts and the culture in which they were created influenced each other? Explain.

 

[Insert your one- to two-paragraph response.]

 

 

HUM 100

 

Cultures and Artifacts

Worksheet

 

 

Complete this template by replacing the bracketed text with the relevant information.

 

 

Part

1

 

1.

 

In the first column, list three cultures you are a part of or that you identify strongly with, and

rank them from most to least significant in your life. These can be national, ethnic, religious,

regional, or local, and they can

include

 

subcultures or grou

ps related to your personal interests.

 

2.

 

In the second column, identify one representative object for each of the cultures you identify

with on your list.

 

3.

 

In a few words, explain how the cultural object reflects the culture in which it exists. Consider

which

 

aspects of culture have relevance for each object: politics, history, religion, social

perceptions, technology, media, education, and so on.

 

 

Culture/Subculture

 

Object

 

Influence of Culture on the Object

 

[Insert text.]

 

[Insert text.]

 

[Insert text.]

 

[Insert text.]

 

[Insert text.]

 

[Insert text.]

 

[Insert text.]

 

[Insert text.]

 

[Insert text.]

 

 

Part

2

 

 

To complete the second table, select three reasons for creating an artifact from the resources provided,

or provide your own reasons.

 

 

1.

 

In the first column,

 

state the reason for creating an artifact.

 

2.

 

In the second column, provide an example of an artifact that could have been created for the

reason presented.

 

3.

 

In the third column, state whether the artifact was created by an individual or a group, and

provide

the name(s) of the creator(s).

 

 

Reason

 

Example of Artifact

 

Creator

 

[Insert text.]

 

[Insert text.]

 

[Insert text.]

 

[Insert text.]

 

[Insert text.]

 

[Insert text.]

 

[Insert text.]

 

[Insert text.]

 

[Insert text.]

 

 

Select one of the artifacts and answer

one

of the following questions in

one to two paragraphs

:

 

 

·

 

Do you believe the creator was successful in

achieving

 

their purpose? Why or why not?

 

 

 

·

 

How do think the artifacts and the culture in which they were created influenced each other?

Explain.

 

 

[Insert

your one

 

to two

paragraph response.]

 

 

 

 

HUM 100 Cultures and Artifacts Worksheet

 

Complete this template by replacing the bracketed text with the relevant information.

 

Part 1

1. In the first column, list three cultures you are a part of or that you identify strongly with, and

rank them from most to least significant in your life. These can be national, ethnic, religious,

regional, or local, and they can include subcultures or groups related to your personal interests.

2. In the second column, identify one representative object for each of the cultures you identify

with on your list.

3. In a few words, explain how the cultural object reflects the culture in which it exists. Consider

which aspects of culture have relevance for each object: politics, history, religion, social

perceptions, technology, media, education, and so on.

 

Culture/Subculture Object Influence of Culture on the Object

[Insert text.] [Insert text.] [Insert text.]

[Insert text.] [Insert text.] [Insert text.]

[Insert text.] [Insert text.] [Insert text.]

 

Part 2

To complete the second table, select three reasons for creating an artifact from the resources provided,

or provide your own reasons.

 

1. In the first column, state the reason for creating an artifact.

2. In the second column, provide an example of an artifact that could have been created for the

reason presented.

3. In the third column, state whether the artifact was created by an individual or a group, and

provide the name(s) of the creator(s).

 

Reason Example of Artifact Creator

[Insert text.] [Insert text.] [Insert text.]

[Insert text.] [Insert text.] [Insert text.]

[Insert text.] [Insert text.] [Insert text.]

 

Select one of the artifacts and answer one of the following questions in one to two paragraphs:

 

 Do you believe the creator was successful in achieving their purpose? Why or why not?

 

 

 How do think the artifacts and the culture in which they were created influenced each other?

Explain.

 

[Insert your one- to two-paragraph response.]

Evolution And Mating Practice

I have attached the case study description at the bottom so that you can read it to write the paper.

Please watch the following YouTube video (https://www.youtube.com/watch?v=OXQwtTOnLvg) which complements the material covered in the evolutionary perspective chapter, the psychosocial perspective chapter(s), and the first article about which you will write a review paper this semester. In the linked video, Dr. Puts describes the evolution of some important gender differences in mating behavior. For example, he describes why men evolved to secure and provide resources and why women evolved to prefer men who can provide consistent resources. He also describes how evolutionary theory helps us understand why women’s mate preferences change over the course of their menstrual cycle and why men (should and do) care for their own children and not other men’s children.

After you have viewed the video (and taken notes), please 1) read the attached Case Study description

(and 2) answer the application questions noted below. You will type your answers in a separate document and upload it in this drop box for credit. Please remember to enumerate your list of answers and to NOT copy and paste the questions into your paper.

  1. According to evolutionary psychology, to what type of women should men be most attracted? Why?
  2. According to evolutionary psychology,  to what type of men should women be most attracted? Why?
  3. How could evolutionary psychology explain what would make Dylan’s first wife, Whitney, stay with him even though she knew about his infidelities?
  4. According to evolutionary psychology, what would a woman married to Dylan have to do in order to make Dylan initiate a divorce?
  5. Why does Dylan not use birth control, according to evolutionary psychology?
  6. Using an evolutionary psychological perspective, make the case for why Dylan’s ‘side pieces’ would use birth control when they are with him. Then, make the case for why Dylan’s ‘side pieces’ would NOT use birth control when they are with him. Be specific and explain your answer clearly.
  7. What are some problems with the evolutionary psychology explanations noted here?
  8. Use Freud’s theory to explain Dylan’s promiscuity. How does the focus of Freud’s theory differ from that of evolutionary psychology?

Plan for and schedule the time and date to do your VIRTUAL chosen experience.

Materials

Use all of the resources in Course Content as well as your textbook and additional research sources to guide your writing. Follow the prompts in the appropriate worksheet from the Aesthetic Experience Materials area in this module. Apply the skills you’ve developed throughout the course in researching and evaluating works from the humanities.

 

Background

Throughout the course you have applied the practice of critical analysis to a variety of works from the humanities. This assignment is the capstone of the lessons and activities you’ve completed in this course.

 

For this assignment you will VIRTUALLY attend an art museum. [Note: Cinema / film is not an option for this assignment].

 

If, for some reason, you choose to attend a museum or event “in person”, you are assuming all risks and responsibilities associated with attending. You are in no way “required” to go anywhere “in person” for this course for the Aesthetic Experience Research Essay or for any other reason.

 

Instructions

Before the Experience (Do These Steps EARLY in the Semester)

1. View the Aesthetic Experience and Perception video and read the associated transcript in the Aesthetic Experience Materials area of this module.

 

2. Look through the pre-approved list of VIRTUAL art museums in the Aesthetic Experience Materials area of this module and choose your experience.

 

3. Plan for and schedule the time and date to do your VIRTUAL chosen experience.

 

4. After Virtually Viewing the museum, compose a research essay pertaining to this aesthetic experience based on the detailed instructions in the Aesthetic Experience worksheet. Incorporate terms from the list at the end of your worksheet.

 

5. Conduct the appropriate research to support your responses to the worksheet prompts. Be sure to cite all sources carefully. For this assignment, you are required to use and cite a minimum of five quality sources (including the precise link to your work of art). Those five sources should include:

 

(1) the textbook;

 

(2) the website of the museum that houses your piece;

 

(3) the precise link to the work of art itself;

 

(4 and 5) TWO quality research sources pertaining to your piece, its artist, style, and/or historical/cultural contexts. To find these sources, please try using Google Scholar and/or our college library.

 

Be sure to cite all your sources in proper MLA or APA format, including the event or work of art itself. Your complete “Works Cited” should be placed at the end of your third essay prompt; in other words at the bottom of the page on which you write your responses to the third essay prompt (before the Glossary section).”

 

6. Finally, submit your completed Aesthetic Experience Research Essay Worksheet to this dropbox folder. (Note: Be sure that the completed worksheet REMAINS in a WORD FORMAT and that your responses reflect in-depth critical evaluation and analysis based on research with careful editing/proofreading and research citations before submitting.)

 

 

 

 

 

 

 

 

 

Aesthetic Experience Lecture Transcript (with additional insights)

Perception

Now that we are getting towards the end of the course, you might be wondering how philosophy connects with Introduction to Humanities.  As we have seen, we have been discussing this somewhat mystical thing “the aesthetic experience”. We have established that the aesthetic experience is a special “inner’ experience. By this “inner” experience I mean a “mind internal” experience which is evoked as a result of some “mind external” thing happening to us (like viewing art). Thus, examining “perception” is one way that philosophy connects to humanities.

For example, we view a piece of art, and the art evokes a mental image to us. That mental image can affect us both rationally and emotionally. The artists intend to create an emotional response in some cases. In other cases, they are trying to do so (i.e. create an image) through rational means. An example would be through a rational presentation of geometry or even mathematics via art. Of course that is not the case with every type of visual art.

Common Threads

One important question is: What do viewing and experiencing different types of art have in common?

We have looked at literature, visual art (including sculptures and paintings), listened to music, and studied theater (including different types of theatrical productions). We have also looked at opera that combines music, stage, and theater to tell a story. We have seen the musical stage and/or Broadway Musicals. We have seen dance as performance art and realized that even things like poetry reading can be a performance art.

Now we start to see some common threads starting to emerge. All of these things (i.e. viewing the varying art forms) are giving us what we call in philosophy: “Veridical Perceptions.” These are perceptions of something outside of our minds that are causing a personal perception in our own minds–just like you are hearing my voice, seeing my image, etc. that is causing a mental image in your personal mind.

The Experience

However, in these “humanities” experiences (in the “aesthetic experience”), we see that these outside veridical perceptions (like viewing art) are forcing us into some sort of rational or emotional analysis (since we are human beings who respond this way). These are the types of commonalities that we have seen by taking an interdisciplinary approach to the humanities. The commonality is: All art, by giving us veridical perceptions, causes us to have a personal, inner mental perception (called a phenomenological perception) that we experience, contemplate, and react to.

Key Terms

· Aesthetic Experience: having an experience in the arts (broadly) such as viewing art, stage productions (like theater, dance, etc.), or viewing and listening to music (like concerts, opera, singing, etc.), or reading literature and philosophy, that we value intrinsically. Also see key terms at the end of Chapter 1, page 15

· Phenomenological Perception: A perception that exists in your mind as a result of (1) mind internally produced, mind internal causation (like hearing your favorite song while no music is playing), or (2) the mental image (in your mind) that is produced as a result of a veridical perception as it is happening (like seeing color while viewing a painting).

· Veridical Perception: A perception caused by something outside of your mind (e.g. light waves striking your eyes causing an image in your brain). This is a perception caused by a sensory experience (like viewing a painting).

How Are the Arts Similar?

Now we start to ask NOT how the arts are different, but rather: How are the arts similar?

Even though we have actually tried quite consciously to make a dichotomy between Western and Non-Western humanities (indeed that is one of the learning objectives for the course), I submit to you now that we’ve nearly completed the course, that the artistic approaches are really quite similar. Whether one is trying to evoke theater though Hollywood or Bollywood, ultimately the same thing is trying to be achieved. One is trying to engage the viewer and trying to share some sort of aesthetic experience, whether it is reading a novel East or West, studying a philosophical analysis (East or West), or studying a religion which shows us a way of viewing the universe (which is a particular worldview). A world view shapes our perceptions and this shapes our very notions of reality. This world view affects how you perceive the world and what sort of things you think are valuable, important, and real (or unreal). This ends up shaping your interaction with each other–and really (at some level) with yourself.

Thus, the arts contribute to your notions of reality and this affects your world view.

We have learned that “the arts”, in the broad sense of word, are actually teaching us different ways to experience a vast array of creations by us and our fellow humans. So, I hope as you start to think about going to your second (or perhaps first) cultural experience (and by that I mean getting ready to do an evaluative report on either a musical performance, theatrical performance, dance concert performance, or museum visit) that you think about kicking it up a notch and approaching this project at a deeper level than you would have at the very beginning of the course. So, what I want you to think about is:

How are these perceptions (what is happening while you are watching the performance or viewing the art) affecting you?

You know you are getting some kind of visual and auditory aesthetic experience (i.e. veridical perceptions). But try to think about these questions:

· What exactly is happening during the aesthetic experience?

· How are these images and veridical perceptions (i.e. mind external perceptions) affecting you?

· What type of “inner” aesthetic experiences are they causing?

· Are they causing something similar to the other audience members?

· Is this what the artist or composer intended?

· And, as we learned earlier:  Is this aesthetic experience creating some sort of “catharsis” within you? Recall that a catharsis is a healthy release of pent up emotion.

· Are you emotionally engaging with the material? It is, ironically, through emotional engagement with the material that we can have some sort of rational and “critical analysis” response to the aesthetic experience.

Lastly, Have Fun!

With that said, I hope you enjoy your cultural experience (i.e. aesthetic experience) and that you really “get into it”. Remember, this is supposed to be fun at some level and I hope that you do have fun. I look forward to reading about your experience.

References

Janaro, R., & Altshuler, T. (2012). Art of Being Human: The Humanities as a Technique for Living (10th ed.). Upper Saddle River, New Jersey: Pearson.

 

LINK FOR MUSUEM

Visit the collections at the National Gallery of Art

https://www.nga.gov/collection.html

 

 

Materials

 

Use all of the resources in Course Content as well as your textbook and additional research s

ources to

guide your writing. Follow the prompts in the appropriate worksheet from the Aesthetic Experience

Materials area in this module. Apply the skills you’ve developed throughout the course in researching

and evaluating works from the humanities.

 

 

Bac

kground

 

Throughout the course you have applied the practice of critical analysis to a variety of works from the

humanities. This assignment is the capstone of the lessons and activities you’ve completed in this

course.

 

 

For this assignment you will VIRTU

ALLY attend an art museum. [Note: Cinema / film is not an option for

this assignment].

 

 

If, for some reason, you choose to attend a museum or event “in person”, you are assuming all risks and

responsibilities associated with attending. You are in no way “r

equired” to go anywhere “in person” for

this course for the Aesthetic Experience Research Essay or for any other reason.

 

 

Instructions

 

Before the Experience (Do These Steps EARLY in the Semester)

 

1. View the Aesthetic Experience and Perception video and re

ad the associated transcript in the

Aesthetic Experience Materials area of this module.

 

 

2. Look through the pre

approved list of VIRTUAL art museums in the Aesthetic Experience Materials

area of this module and choose your experience.

 

 

3. Plan for and sc

hedule the time and date to do your VIRTUAL chosen experience.

 

 

4. After Virtually Viewing the museum, compose a research essay pertaining to this aesthetic experience

based on the detailed instructions in the Aesthetic Experience worksheet. Incorporate te

rms from the

list at the end of your worksheet.

 

 

Materials

Use all of the resources in Course Content as well as your textbook and additional research sources to

guide your writing. Follow the prompts in the appropriate worksheet from the Aesthetic Experience

Materials area in this module. Apply the skills you’ve developed throughout the course in researching

and evaluating works from the humanities.

 

Background

Throughout the course you have applied the practice of critical analysis to a variety of works from the

humanities. This assignment is the capstone of the lessons and activities you’ve completed in this

course.

 

For this assignment you will VIRTUALLY attend an art museum. [Note: Cinema / film is not an option for

this assignment].

 

If, for some reason, you choose to attend a museum or event “in person”, you are assuming all risks and

responsibilities associated with attending. You are in no way “required” to go anywhere “in person” for

this course for the Aesthetic Experience Research Essay or for any other reason.

 

Instructions

Before the Experience (Do These Steps EARLY in the Semester)

1. View the Aesthetic Experience and Perception video and read the associated transcript in the

Aesthetic Experience Materials area of this module.

 

2. Look through the pre-approved list of VIRTUAL art museums in the Aesthetic Experience Materials

area of this module and choose your experience.

 

3. Plan for and schedule the time and date to do your VIRTUAL chosen experience.

 

4. After Virtually Viewing the museum, compose a research essay pertaining to this aesthetic experience

based on the detailed instructions in the Aesthetic Experience worksheet. Incorporate terms from the

list at the end of your worksheet.

What myth does stating “we all learn differently” promote to others?

In your discussion,

  • Select two theories discussed in your required reading, and describe the areas of each theory that you were not previously aware of and why these areas may suggest a need to assimilate, or even accommodate, your own current knowledge.
    • If unclear on the difference between assimilation and accommodation, see the following resource: The Assimilation vs Accommodation of Knowledge (Links to an external site.).
    • For example, did you know there are multiple sub-theories within behaviorism or cognitivism? Do you have previous knowledge about the stimulus-organism-response (S-O-R) model suggested by constructivism?
  • Discuss why you think a developed mental understanding about learning is important as a student of psychology. Include all of the following in this explanation:
    • Why is it important to clearly understand the process for acquiring knowledge and then the variables that support effectively processing this knowledge?
    • What myth does stating “we all learn differently” promote to others?
    • Why does a more critical understanding potentially support a learner?
    • How could this understanding affect our success in a career?
    • How might culture (socio-economic, social circle, etc.) affect one’s ability to accommodate or assimilate an expanded knowledge about learning?
  • Lastly, compare and contrast your previous knowledge about this content to the more complex analysis of learning that you read about this week in the introduction chapter of your text (see the Writing Center’s Compare & Contrast Assignments (Links to an external site.) for assistance).

Your initial post should be between 350 and 400 words. You must support your discussion by citing, at minimum, the required textbook. Cite all information from your sources according to APA guidelines as outlined in the APA: Citing Within Your Papers (Links to an external site.) resource. List each of your sources at the end of your posting according to APA Style as shown in the sample page of the APA: Formatting Your References List (Links to an external site.) resource.1 The Foundations of Behaviorism A mouse running inside a maze. Fergregory/iStock/Thinkstock Learning Objectives After reading this chapter, you should be able to do the following: Explain the controversial history and arguments of behaviorism. Describe associative learning. Explain connectionism and the law of effect. Compare and contrast classical and operant conditioning. Identify examples of ratio and interval schedules. Discuss settings where behaviorism, in the area of learning, is applied. Introduction When you were a child, were you ever sent to your room for a bad behavior, a consequence that continued to occur until you changed your behavior? slapped on the hand for touching something that you were not supposed to touch? yelled at if you walked into the street without first looking for cars? given an allowance when you completed your chores? allowed to go on dates but only if you were home by curfew? given a sticker or badge for an assignment when you did well? All of these examples could be categorized as behaviorist techniques for reinforcing learning. A child looking guilty as he draws on a white wall. A parent stands near the child with her hands on her hips. Jacob Wackerhausen/iStock/Thinkstock Making mistakes is part of the learning process. It allows people to modify behavior or thought processes in order to develop knowledge or skills. Learning can refer to the process of developing knowledge or a skill through instruction or study or the process of modifying behavior through experience. Understanding how learning is studied is an important step if you want to successfully apply psychological methods to your own learning or to that of others, whether in a classroom, in the workplace, or even in your role as a parent or grandparent. It is also important to understand that theories have evolved over time and that inaccuracies often exist in the literature that presents behavior and learning studies (Abramson, 2013). Applications of technology and methodological approaches continue to develop researchers’ awareness of possible inaccuracies and alternate approaches. Your journey to a better understanding of learning begins with behaviorism. This theoretical foundation, which was first discussed in this book’s introduction, argues that learning has successfully occurred when the appropriate behavior is observed (Ertmer & Newby, 1993). However, behaviorism is an intricate theory, and its approach to learning cannot be generalized so easily. There are many perspectives related to behaviorism, and such variability makes it critical that you understand behaviorism’s theoretical foundation in more depth. Although new methods are often used in the 21st century, behaviorism still offers the field of learning many relevant strategies for successful learning, educating, and counseling today (Abramson, 2013). In this chapter, we will first discuss the history of behaviorism, as well as its evolution in the scope of learning theory. In addition, the chapter will cover behaviorism’s foundational ideas, including connectionism, the law of effect, principles of conditioning, and modeling and shaping, and explain how behaviorism has been applied within the domains of marketing and education. 1.1 The Evolution of Behaviorism to Behavior Analysis Behaviorism was initially based on the premise that observable environmental variables are the basis of behaviors (Hilgard, 1956; Pierce & Cheney, 2004). The theory itself has numerous frameworks, some of which you read about in section i.2, and continues to evolve today. The excerpts in this section are from Watrin and Darwich (2012). This article reflects upon the evolution of behaviorism. The attention placed on the multitude of beliefs about behaviorism sets the standard for approaching this area of learning psychology with skeptical thought and critical considerations. Watrin and Darwich (2012) introduce J. B. Watson (1913), who redefined psychology as “a purely objective experimental branch of natural science” (p. 158), proposing the “prediction and control of behavior” as its goal, and invite us to follow the path of self-identified behaviorists who continued to reinvent how and what behaviorism is and how it should be applied. With explicit candor, these authors will help you better understand exactly why this framework is often misunderstood and difficult to clearly explain. They also provide you with a foundation that will help you better understand the advances and new reflections that continue to be explored. Excerpts from “On Behaviorism in the Cognitive Revolution: Myth and Reactions” By J. P. Watrin and R. Darwich In the course of history, there is a clear difficulty to define psychology. For a long time, it was treated as the study of mind or human psyche. Some authors, though, saw the emergence of behaviorism as a revolution in psychological science (e.g., Gardner, 1985; Moore, 1999). Starting with J. B. Watson (1878–1958), the behaviorist school flourished in the beginning of the 20th century. It was a remarkable rupture in the history of psychology, once it put the mind aside of scientific inquiry. From then on, behaviorism began a tradition of study of behavior, comprising several—and sometimes even conflicting—theoretical systems (Moore, 1999). In that context, behavior analysis emerged as one of the behavioristic approaches, having been developed from the works of B. F. Skinner (1904–1990). With an emphasis on operant behavior and an antimentalistic position [which rejects the mind as the cause of behavior], it became a forefront system of behaviorism during the 1950s. [. . .] From Behaviorism to Behavior Analysis Behavior analysis constitutes a field and a psychological system devoted to the study of behavior, here defined in terms of functional relations between behavioral and environmental events (Catania, 1998). As a field, behavior analysis has today three fundamental domains: (a) the experimental analysis of behavior, a basic science devoted to empirical research on behavioral processes, especially in the laboratory; (b) applied behavior analysis, a technological domain dedicated to apply behavior-analytic knowledge to solve practical problems; and (c) the conceptual analysis of behavior, which performs theoretical reflections about the subject matter and methods of investigation (Moore, 1999; see also Moore & Cooper, 2003). Those domains are interrelated and based in radical behaviorism, a philosophy of science that lays the foundations of behavior analysis. The history of the field as a whole has its roots in the behaviorist school. In 1913, Watson published the article “Psychology as the Behaviorist Views It.” Attacking the study of consciousness, Watson (1913) redefined psychology as “a purely objective experimental branch of natural science” (p. 158), proposing the “prediction and control of behavior” as its goal. That drastic movement would greatly contribute to the beginning of a new tradition, whose name seems to have been created by Watson himself: “behaviorism” (Schneider & Morris, 1987). Psychologist B. F. Skinner in a laboratory conducting an experiment with a rat. Nina Leen/The LIFE Picture Collection/Getty Images Psychologist B. F. Skinner’s experiments showed that behavior could be related to a stimulus and did not have to be only an occurrence inside an organism. One of Skinner’s famous experiments included a rat pressing a lever to then be rewarded with food. In the following decades, several psychologists would be identified as behaviorists. Names such as Clark Hull (1884–1952) and Edward Tolman (1886–1959) became associated with the behaviorist movement, once they developed their own explanatory models of behavior (e.g., Hull, 1943; Tolman, 1932). New forms of behaviorism were thus being shaped and were sometimes at odds with those that already existed (Moore, 1999). In the 1930s, the contributions of Skinner established his place among those developments. Conceiving behavior as a lawful process, Skinner’s experimental works on reflexes led him to new concepts and methods of investigation (see Iversen, 1992). Reflex—and, subsequently, all behavior—was no longer something that happened inside the organism; rather, it was seen as a relation in which a response is defined in function of a stimulus and vice versa (Skinner, 1931). [. . .] In 1938, Skinner published The Behavior of Organisms, in which he summarized many of his positions and refined the concept of operant behavior. Skinnerian behaviorism (see section i.2) was acquiring its shape. Its first developments laid the fundamental concepts and methods of behavior analysis. Because they relied on basic research, they were also the first steps of the experimental analysis of behavior. In the 1940s, the first introductory course based in Skinner’s psychology and the first conference on experimental analysis of behavior took place (Keller & Schoenfeld, 1949; Michael, 1980). In 1945, Skinner wrote The Operational Analysis of Psychological Terms, in which, for the first time in print, he defined his thought as “radical behaviorism” (Skinner, 1945, p. 294; see also Schneider & Morris, 1987). The term would designate a philosophy that, on one hand, defines private events (e.g., thinking, feelings) as behavior and, therefore, as a legitimate subject matter of a behavioral analysis, but on the other hand attacks explanatory mentalism, the explanation of behavior by mental events (cf. Skinner, 1945, 1974). Private events usually refer to a mental concept, but they are behavior and, as such, cannot cause other behavior. That antimentalism would become a central feature of radical behaviorism. [. . .] As the prominence of Skinner and his work began to rise and the foundations for applied behavior analysis were laid (Morris, Smith, & Altus, 2005), Skinner would become central to the development of behavior analysis. [. . .] Thus, behavior analysis constituted itself by the gradual establishment of its domains, being consolidated as a field in the late 1970s. Although Skinner became synonymous with behavior analysis, the field exceeded its pioneer. Behavior analysis took on a life of its own. Other people took part in the spreading of the field, such as Fred Keller (1899–1996), Charles Ferster (1922–1981), William Schoenfeld (1915–1996), and Murray Sidman (1923–). They disseminated its knowledge, just as they developed new concepts and methods (e.g., Sidman & Tailby, 1982). Skinner, however, remained as the field’s main spokesman. Schultz and Schultz (2004), for instance, asserted that, “despite . . . criticisms, Skinner remained the uncontested champion of behavioral psychology from the 1950s to the 1980s. During this period, American psychology was shaped more by his work than by the ideas of any other psychologist” (p. 344). [. . .] The Generic (and Misrepresented) Nature of Behaviorism [. . .] Behaviorism became a host of different and conflicting systems, grouped under a single label, as if they all shared the same position. Being vaguely defined, behaviorism is frequently treated as a homogeneous school, as a linear tradition. The term behaviorism, however, refers to a variety of conflicting positions (Leigland, 2003; but see also Moore, 1999). Indeed, after Watson’s (1913) first use, many theories related to the study of behavior were taken as “behaviorists.” Since the term began to be largely used, its ambiguity was soon recognized, seeing that there was no single enterprise called “behaviorism” (e.g., Hunter, 1922; Spence, 1948; Williams, 1931). Woodworth (1924) summarized the problem: If I am asked whether I am a behaviorist, I have to reply that I do not know, and do not much care. If I am, it is because I believe in the several projects put forward by behaviorists. If I am not, it is partly because I also believe in other projects which behaviorists seem to avoid, and partly because I cannot see any one big thing, to be called “behaviorism.” (p. 264) Spence (1948) also noted that the term was mostly used when someone defines his or her oppositions to an effective (or alleged) behaviorism. Even so, later developments were identified with “behaviorism,” such as behavior analysis itself. Therefore, the term would still designate a very heterogeneous set of positions. Its indiscriminate use, on the other hand, overlooks the historical complexity and diversity of the behaviorist school. Moreover, references to a generic behaviorism set biases in the analysis of behavioristic systems. When behaviorism is vaguely defined, it is easier to misrepresent any system by attributing features of other positions to it. Properties of particular systems are ascribed to all. Pinker (1999), for example, says the following: Skinner and other behaviorists insisted that all talk about mental events was sterile speculation; only stimulus–response connection could be studied in the lab and the field. Exactly the opposite turned out to be true. Before computational ideas were imported in the 1950s and 1960s by Newell and Simon and the psychologists George Miller and Donald Broadbent, psychology was dull, dull, dull. (p. 84) [. . .] In spite of the prior disputable use of the word behaviorism, the conventional historiography seems to have taken advantage of the term’s ambiguity to legitimate the idea of a revolution. A generic behaviorism was, then, presented, underlying fallacious arguments. This ambiguous treatment is dangerous for behavior analysis and modern behaviorism, because it creates and strengthens academic folklore (see also Todd & Morris, 1992). Its deceptive character gives rise to misrepresentations. [. . .] Source: Watrin, J. P., & Darwich, R. (2012). On behaviorism in the cognitive revolution: Myth and reactions. Review of General Psychology, 16(3), 269–282. Copyright © 2012, American Psychological Association. Reprinted with permission. Understanding the history of a theoretical framework can help us better understand the developments that followed. In this case, behaviorism gave rise to many subset groups that believed that learning was a behavior and that behavior was observable—yet differed in the degree to which they held to these beliefs. As the article’s authors observed, the word behaviorism can often be used as a general grouping for the multiple researchers aligned with this theory. As a lifelong learner, you may find that further questioning this ambiguity in your own studies will help substantiate your understanding of this important area of psychology. 1.2 Theory of Connectionism and the Laws of Learning Edward Thorndike’s theory of connectionism and the laws of learning were two concepts that would emerge as behaviorism matured. The theory of connectionism, also known as the synaptic theory of learning, posits that learning occurs through the habitual associations, or connections, made between stimuli and responses. Examples of behavioral associations include eating because we are hungry and sleeping because we are tired. The laws of learning explain how people learn best through these associations. As just one example, the law of effect asserts that learning is strengthened when it is associated with a positive feeling. As Sandiford (1942) explains in the following excerpts, the theory of connectionism and the laws of learning helped build a more developed understanding of learning and contributed to our more modern applications of today. Conceptual model of the brain with illuminated dots and connectors depicting brain activity. Abracada/iStock/Thinkstock A central theory of connectionism is that learning is conducted through stimuli and responses. Before you begin reading, it is important to understand the importance of what is known as “association doctrine” to Thorndike’s research. Although Thorndike did not introduce his initial three laws of learning until the early 20th century (Weibell, 2011), ideas about behavioral associations began to take shape more than 2,000 years ago. Greek philosopher Aristotle (384–322 BCE) wrote in his major work on ethics, “For we are busy that we may have leisure, and make war that we may live in peace.” However, his ideas about associations are most clearly seen in the following passage: When, therefore, we accomplish an act of reminiscence, we pass through a certain series of precursive movements, until we arrive at a movement on which the one we are in quest of is habitually consequent. Hence, too, it is that we hunt through the mental train, excogitating from the present or some other, and from similar or contrary or coadjacent. Through this process reminiscence takes place. For the movements are, in these cases, sometimes at the same time, sometimes parts of the same whole, so that the subsequent movement is already more than half accomplished. (Aristotle, ca. 350 BCE/1930, para. XX) Association doctrine can be explained as the linking of physiological and psychological processes. Important to understanding the points of reference in the excerpts from Sandiford (1942) is that Thorndike’s beliefs about learning were somewhat founded on Alexander Bain’s beliefs about psychology that suggested all knowledge is based on physical sensations (not thoughts or ideas) (Bain, 1873). Bain (1818–1903) founded the academic journal called Mind, the first journal of psychology and analytical philosophy. He postulated an “associationist treatment of higher mental processes” (Wade, 2001, p. 781). Excerpts from “Connectionism: Its Origin and Major Features” By P. Sandiford Features of Connectionism The following outline gives the main distinguishing features of connectionism: Connectionism is an outgrowth of the association doctrine, especially as propounded by Alexander Bain. Thorndike was a pupil of William James, some of whose teachings were derived from Bain and the British associationists. Connectionism, therefore, through associationism, has its roots deep in the psychological past. Connectionism is a theory of learning, but as learning is many-sided, connectionism almost becomes a system of psychology. It is as a theory of learning, however, that it must stand or fall. Connectionism has an evolutionary bearing in that it links human behavior to that of the lower animals. Thorndike’s first experiments were with chicks, fish, cats, and, later, with monkeys. From his animal experiments he derived his famous laws of learning. Connectionism boldly states that learning is connecting. The connections presumably have their physical basis in the nervous system, where the connections between neuron and neuron explain learning. Hence, connectionism is also known as the synaptic theory of learning. Connectionism is atomistic rather than holistic or organismic, since it stresses the analysis of behavior in order to discover the elements that are connected or bonded together. The sum total of a man’s life can be described by a list of all the situations he has encountered and the responses he has made to them. [. . .] The connectionist principle of associative shifting (which suggests that if a response to a stimulus is sustained even if the stimulus is gradually changed, the same response will be likely in a new situation) has relationships with Pavlovian conditioning, which Thorndike regards as a special case of associative learning. Connectionism has also some affinities with Watsonian behaviorism, which suggested that introspection was not observable and thus not scientific, stressing the mechanistic aspects of behavior. Neither one finds it necessary to evoke a soul in order to explain behavior. Connectionism breaks with behaviorism in regard to the stress it places on the hereditary equipment of the behaving organism. Some connections are more natural than others. We grow into reflexes and instincts without very much stimulation from the environment except food and air. In other words, we mature into reflexes and instincts, but we have to practice or exercise in order to learn our habits. These hereditary patterns of behavior (reflexes and instincts) form the groundwork of learning. Most acquired connections are based on them and, indeed, grow out of them. Even such complex bonds as those which represent capacities (music, mathematics, languages, and the like) have a hereditary basis. According to connectionism those things we call intellect and intelligence are quantitative rather than qualitative. A person’s intellect is the sum total of the bonds (associations) he has formed. The greater the number of bonds he has formed, the higher is his intelligence. [. . .] Connectionism, above all other theories of learning, seems to be one that the classroom teacher can appreciate and apply. While the statistics which summarize the experiments have been decried as the products of a mechanistic conception of behavior, nevertheless they have done more to make education a science than all the theorizing of the past 2,000 years. [. . .] Thorndike was such a voluminous writer that it is difficult to summarize his position on any single question, or, indeed, to pin him down to a specific position. In order to remove any doubt the reader may have on the matter, the following recent statement of Thorndike’s position is given: A man’s life would be described by a list of all the situations which he encountered and the responses which he made to them, including among the latter every detail of his sensations, percepts, memories, mental images, ideas, judgments, emotions, desires, choices, and other so-called mental facts. [. . .] A man’s nature at any given stage would be expressed by a list of the responses (Rs) which he would make to whatever situations or state of affairs (Ss) could happen to him, somewhat as the nature of a molecule of sugar might be expressed by a list of all the reactions that would take place between it and every substance which it might encounter. There would be one important difference, however. [. . .] In human behavior our ignorance often requires the acknowledgment of the principle of multiple response or varied reaction to the same S by a person who is, so far as we can tell, the same person. (See Figure 1.1 for a specific example.) [. . .] If John Doe were really the same person in every particular way on 100 occasions he would always respond to S in one same way at each of its 100 occurrences, but he will not be. Even when we can detect no differences in him there will be subtle variation in metabolism, blood supply, etc. [. . .] Figure 1.1: Example of possible reactions to a stimulus Psychologist Edward Thorndike proposed that humans have varied responses to the same incident or stimulus. However, he acknowledged that there are hereditary patterns of behavior such as reflexes. Figure uses an example scenario to illustrate the variability of a stimulus (S) and response (R) connection. In this example, “S” is a stranger yelling at a man, and three different “Rs” are shown: The man smiles at the stranger and then walks away, the man reacts physically by yelling at and hitting the stranger, and the man yells back at the stranger and then storms away. © Bridgepoint Education, Inc. The Associationistic Background Ideas related to associationism date back to Aristotle, although his view differed much from our current understanding (Sandiford, 1942). Hence, there is a large gap in associationism’s history. Table 1.1 is adapted from the writing of Sandiford (1942), and can help put into perspective the maturation of the ideas connected with associationism. Each theorist brought additional perspectives to this model for learning, and although Table 1.1 provides only a broad overview, the timeline demonstrates how the perspectives changed as time moved forward. Table 1.1: Overview of associationistic milestones Theorists Milestones Aristotle (384–322 BCE) Introduced the ideology of associations. Suggested that we could not perceive two sensations as one—that they would combine or fuse into one. Thomas Hobbes (1588–1679) Suggested sequences of thought could be casual and illogical, as in dreams, or orderly and regulated as by some design. Suggested that hunger, sex, and thirst are physiological needs. John Locke (1632–1704) Suggested “association of ideas”: Representations arise in consciousness. David Hartley (1705–1757) Suggested that sensation (pleasure vs. pain) was generated by wave vibrations in the nerves. David Hume (1711–1776) Noted that the associations in cause and effect are affected when additional objects are introduced. James Mill (1773–1836) Advanced associationism to include more complex emotional states within the pain vs. pleasure sensation model. Thomas Brown (1778–1820) Suggested nine secondary laws that strengthened Aristotle’s laws of association. Understood association as an active process of an active, holistic mind. Alexander Bain (1818–1903) Suggested trial-and-error learning, reflexes, and instincts as the bases of habits, individual differences, and the pleasure-pain principle in learning. Edward Thorndike (1874–1949) Suggested the theory of connectionism. Suggested laws of learning. Adapted from “Connectionism: Its Origin and Major Features” by P. Sandiford, in N. B. Henry (Ed.), The Forty-First Yearbook of the National Society for the Study of Education: Part II, The Psychology of Learning (pp. 102–108), 1942. Blackwell Publishing. © National Society for the Study of Education. Adapted with permission. Other Backgrounds of Connectionism If Thorndike be regarded as the king-pin of connectionism, then three main streams of influence may be found in his work. The first, that of associationism, has already been traced. Bain influenced Thorndike’s teaching both directly and through William James. [. . .] For experimentation on the learning ability of animals, new apparatus, new devices, new methods had to be invented. Thorndike introduced the maze, the puzzle box, and the signal or choice reaction experiment, all of which have become standard equipment in animal psychology and have been employed in thousands of studies since that day. Figure 1.2 provides an illustration of a puzzle box. Figure 1.2: Thorndike’s puzzle box In Thorndike’s design, a dish of food was placed outside of the box, visible through the slats in the box. Thorndike found that animal subjects placed in the box would eventually locate the release apparatus, and the time before the activation of this response was shorter with each subsequent trial. A drawing of a puzzle box. The box is rectangular, solid at both of the short ends, but with a slatted side making up one of the long ends. A square-shaped door has been positioned in the slatted side. A long, thin chain attaches to the front of this door. Two thin slats hold the door in place. On top of the box, a square of mesh lies in the center. A system of ropes and hooks has been devised, leading to two pins that hold the door in place. Another chain hangs down inside the box. Adapted from Animal Intelligence (p. 30), by E. L. Thorndike, 1911, New York, NY: Macmillan. Thorndike’s Animal Intelligence, completed in 1898 as his doctoral dissertation, not only was the starting point of animal psychology as a science, but also went far toward establishing stimulus-response as the cornerstone of psychology. It is also the source of the famous laws of learning. [. . .] The Laws of Learning Probably the best known of the contributions that connectionism has made to educational theory and practice are the so-called laws of learning. They are not absolute laws, but rather are they to be regarded simply as comprehensive formulations of the rules which learning obeys. The laws usually quoted are those given in Vol. II of Thorndike’s Educational Psychology: The Psychology of Learning (1913). These include the three major laws: effect, exercise or frequency, and readiness. [. . .] These laws grew out of the experiments with animals, coupled with such influences as the writings of Bain, Romanes, Lloyd Morgan, Wilhelm Wundt, and others, and have been modified by further experiments in which human beings acted as the subjects (Thorndike, 1932). New elements injected into the laws of learning are belongingness, impressiveness, polarity, identifiability, availability, and mental system. This shows clearly enough that the laws are not to be regarded as a closed system, complete from the start, but merely as tentative summaries of our knowledge of the way in which learning takes place. They will be discarded or modified whenever experiments disclose that such is necessary or desirable. The Law of Effect [. . .] A modifiable bond is strengthened or weakened as satisfaction or annoyance attends its exercise. With chickens and cats, Thorndike had used as motivating agents in their behavior such original satisfiers as food and release from confinement for the hungry cat, company for the lonely chicken, and so forth. These acted as rewards for certain actions which became stamped in and learned. Thorndike really took the law of effect for granted at first, as so many before him had done. Gradually, however, it became one of his most important principles of education. [. . .] In propounding the law of effect, Thorndike thought that the two effects—satisfiers and annoyers—were about equally potent, the one in stamping in the connection, the other in stamping it out. If a preference was indicated it was toward the side of rewards, although he explicitly asserted that rewards or satisfiers following responses increased the likelihood of repetitions of the