ake the case of Giuseppe Castiglione, an Italian who painted in China, merging Western illusionism with Chinese subjects and techniques. S

Take the case of Giuseppe Castiglione, an Italian who painted in China, merging Western illusionism with Chinese subjects and techniques. Should his work be included, as it is in Dorinda Neave textbook, Asian Art, in the history of Chinese painting? If not, why not, and where would you place it? Devil’s advocates welcome!

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