R E V I V E
I N D S 2 1 1 D E S I G N B L O G
C H R I S T I N E M I N S U M M E R 2 0 2 1 | P R O F . G O N A N O | H I S T O R Y O F I N T E R I O R D E S I G N
” I A M N O T A D E C O R A T O R .
T H E O N L Y P L A C E I D E C O R A T E I S M Y
O W N H O U S E . ”
– F l o r e n c e K n o l l
https://www.jstor.org/stable/4540337
https://www.jstor.org/stable/4540337
https://www.jstor.org/stable/4540337
https://www.jstor.org/stable/4540337
A N C I E N T E G Y P T
A N C I E N T G R E E C E
A N C I E N T R O M E
A N C I E N T C H I N A
https://www.rome.net/roman-empire
This leather stool from P o t t e r y B a r n reuses a signature style of Ancient Egypt . The X – Shaped
base is present in the modern
rendition . Additionally , leather , a
prominent material used in
ancient Egyptian culture is
featured . The smoky tones of
both the leather and the wood is
yet another way the ancient stool
has been revamped to suit a
modern interior .
It is fascinating to see that an
ancient style and the most
elemental type of seating is stil l
being used today . The X – shaped
base allows for furniture to be
collapsed and therefore portable ,
but also adds a l ight airiness to
the aesthetic of furniture .
A N C I E N T
E G Y P T
” I f y o u s e a r c h f o r t h e l a w s o f
h a r m o n y , y o u w i l l f i n d
k n o w l e d g e . ”
– E g y p t i a n P r o v e r b
S T O O L W I T H X – S H A P E D B A S E
M O D E R N
H I S T O R I C A L4
The Klismos Chair had sabre legs ,
which meant that the legs curved out
opposite each other . This iconic chair
featured a curved back that hugged
the human body and the seats were
made of cloth or leather .
The modern T r i s t a n A c r y l i c Klismos Chair certainly echoes the original
chair ‘ s shape and curvature of the
backing and legs . The difference l ies
in the futuristic clear material of
acrylic and the cushioned velvet seat .
Judging by the curves of the back
seat , one can deduce that the ancient
Greeks were conscious of ergonomics
and prioritized comfort , especially
when seating those in higher social
classes . The matching degree of
curving in the backing and legs is also
an admirable harmonic design choice .
A N C I E N T
G R E E C E
” W e a r e w h a t w e r e p e a t e d l y
d o . E x c e l l e n c e , t h e n , i s n o t a n
a c t , b u t a h a b i t . ”
– A r i s t o t l e
K L I S M O S C H A I R
M O D E R N
H I S T O R I C A L
5
This T r i s t a n A u e r armchair is a dramatic piece that flaunts the
component of the sella curulis
that is most distinctive – the
double – X form . Instead of the X –
form only being used for the
base , the entire X creates the
form of the armchair . The top is
an enticing and stylish seat ,
while the bottom part of the X
serves as a sturdy base .
The sella curulis was an
important seat meant for those
in higher power such as
emperors and magistrates . The
sleek and robust modern
rendition of the sella curulis
surely emboldens users with
confidence f it for an emperor .
A N C I E N T
R O M E
” S a y n o t a l w a y s w h a t y o u
k n o w , b u t a l w a y s k n o w w h a t
y o u s a y . ”
– C l a u d i u s
S E L L A C U R U L I S
M O D E R N
H I S T O R I C A L
6
Featured on H o m e D e s i g n i n g , this modern Chinese house exhibits a
lattice style used in ancient
Chinese interiors . Lattices were
used in the past to achieve the
integration of both the interior
and exterior , a principal
component of Chinese interior