A Boy of Unusual Vision,” by Alice Steinback, The Baltimore Sun

4. “A Boy of Unusual Vision,” by Alice Steinback, The Baltimore SunFirst, the eyes: They are large and blue, a light opaque blue, the color of a robin’s egg. And if, on a sunny spring day, you look straight into these eyes-eyes that cannot look back at you-the sharp, April light turns them pale, like the thin blue of a high, cloudless sky.

Ten-year-old Calvin Stanley, the owner of these eyes and a boy who has been blind since birth, likes this description and asks to hear it twice. He listens as only he can listen, then: “Orange used to be my favorite color but now it’s blue,” he announces. Pause. The eyes flutter between the short, thick lashes, “I know there’s light blue and there’s dark blue, but what does sky-blue look like?” he wants to know. And if you watch his face as he listens to your description, you get a sense of a picture being clicked firmly into place behind the pale eyes.

He is a boy who has a lot of pictures stored in his head, retrievable images which have been fashioned for him by the people who love him-by family and friends and teachers who have painstakingly and patiently gone about creating a special world for Calvin’s inner eye to inhabit.

Picture of a rainbow: “It’s a lot of beautiful colors, one next to the other. Shaped like a bow. In the sky. Right across.”

Picture of lightning, which frightens Calvin: “My mother says lightning looks like a Christmas tree-the way it blinks on and off across the sky,” he says, offering a comforting description that would make a poet proud.

“Child,” his mother once told him, “one day I won’t be here and I won’t be around to pick you up when you fall-nobody will be around all the time to pick you up-so you have to try to be something on your own. You have to learn how to deal with this. And to do that, you have to learn how to think.”

There was never a moment when Ethel Stanley said to herself, “My son is blind and this is how I’m going to handle it.”

Calvin’s mother:

“When Calvin was little, he was so inquisitive. He wanted to see everything, he wanted to touch everything. I had to show him every little thing there is. A spoon, a fork. I let him play with them. The pots, the pans. Everything. I showed him the sharp edges of the table. ‘You cannot touch this; it will hurt you.’ And I showed him what would hurt. He still bumped into it anyway, but he knew what he wasn’t supposed to do and what he could do. And he knew that nothing in his room-nothing-could hurt him.

And when he started walking and we went out together-I guess he was about 2-I never said anything to him about what to do. When we got to the curbs. Calvin knew that when I stopped, he should step down and when I stopped again, he should step up. I never said anything, that’s just the way we did it. And it became a pattern.”

What is the order of events of Calvin Stanley’s story? Briefly explain in two or three sentences. Use proper spelling and grammar. (10 points)

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5. What is the significance of the similarities and differences between William Kamkwamba’s story and Calvin Stanley’s story? Briefly explain in two or three sentences. Use proper spelling and grammar. (10 points)
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Comic Strip Or Political Cartoon Analysis

Writing Assignment: Comic Strip or Political Cartoon Analysis

You are required to submit the FINAL copy of this assignment, but you may first submit an optional DRAFT. This will allow you to receive qualitative feedback that can inform your revision. You should always avoid focusing solely on the grader’s DRAFT feedback; use the feedback as a supplement to the course lessons and your own revision ideas. Always expect to revise beyond what the DRAFT grader specifically notes.

 

You have two options for this assignment:

Option #1: Analysis of an Individual Comic Strip or Political Cartoon

 

Choose one comic strip or political cartoon. If you visit the website of a newspaper such as The Baltimore SunThe New York TimesThe Washington Post, etc., you should be able to search for comic strips or political cartoons easily.

Which techniques does the creator of the comic strip use? How does the creator make his/her point in the comic strip? What do we learn about the characters and/or ourselves from this comic strip or political cartoon? If colors are available, what do they tell us about this comic or cartoon? What language is used and how can that be interpreted?

 

And importantly, which of the key terms from the topic lesson can you discuss in your analysis? For example, how do elements of imagerysymbolismmetaphor, and/or irony help reveal the cartoon’s message?

 

As with all academic essays you write in this course, this essay should have a well-defined introduction with a thesis statement, body, and conclusion.

 

In essence, what are some of the physical elements present in the cartoon[footnoteRef:1]—characters, text, colors, etc., along with figurative elements such as metaphor and symbolism, that help to explain the cartoon’s message? It can be helpful to focus on a single element in the cartoon in its own body paragraph (include the element in the topic sentence and in the thesis) and describe how it portrays the cartoon’s message before moving to the next cartoon feature in a new paragraph. [1: A successful analysis will go beyond the obvious, literal elements of the cartoon and will analyze figurative elements, too. Use the course topic lessons to inform your analysis. ]

 

Sample Thesis Statement: “John Smith uses (add one element from the cartoon), (add a second element from the cartoon), and (add a third element from the cartoon) to show (add the cartoon’s message).”

 

 

Option #2: Analysis of Multiple Comic Strips or Political Cartoons

Choose two political cartoons or comic strips created by the same person. Which techniques does the creator of the political cartoons use? How does the creator make his/her point in the political cartoons? Which characters, if any, are present in both political cartoons? What do we learn about the characters and/or ourselves from these political cartoons? How does the language transmit the creator’s message? Using a comparison or contrast mode of development, draw conclusions about the techniques the author uses in the political cartoons and how they apply to our lives. As with all academic essays you write in this course, this essay should have a well-defined introduction with a thesis statement, body, and conclusion.

 

Use the point by point or subject by subject structure to compare and contrast about three to five elements found in the cartoons that help to explain how they apply to our lives or to a message present in today’s society. After you compare and contrast in each paragraph, be sure to explain the message those elements and the cartoons help to depict.

Sample Thesis Statement: “John Smith’s cartoon strips Cartoon 1 and Cartoon 2 use (add one element from the cartoon), (add a second element from the cartoon), and (add a third element from the cartoon) to explain (add the cartoons’ message).”

Be sure to document the cartoon or comic strip on a Works Cited page. Please visit the following source for citing an electronic image: http://owl.english.purdue.edu/owl/resource/747/08/

 

 

The guidelines for this assignment are as follows:

Length: This assignment should be at least 500 words.

Header: Include a header in the upper left-hand corner of your writing assignment with the following information:

· Your first and last name

· Course Title (Composition II)

· Assignment name (i.e, Cartoon Analysis)

· Current Date

 

Format:

· MLA-style source documentation and Works Cited[footnoteRef:2] [2: This resource may be helpful as you are making MLA formatting decisions: https://owl.english.purdue.edu/owl/resource/747/01/ ]

· Your last name and page number in the upper-right corner of each page

· Double-spacing throughout

· Standard font (TimesNewRoman, Calibri)

· Title, centered after heading

· 1” margins on all sides

· Save the file using one of the following extensions: .docx, .doc, .rtf, or .txt

 

Underline your thesis statement in the introductory paragraph.

Informative Speech

INFORMATIVE SPEECH

A speech about objects, people, events or concepts (excluding anything medical or disease-related).

SPECIFIC PURPOSE: ________________________________________

Your topic should incorporate the following:

  • creativity,
  • originality,
  • the needs and interests of your audience.
  • Video editing and video stopping/pausing are NOT allowed.

OUTLINE: see p 246-247 (Preparation Outline). Your main points should be in complete sentence form. The outline is submitted to the “Outline Dropbox“.

SOURCES: (4) – they must be referred to during your speech at the appropriate time and included on your outline. If you interview someone, they must be an expert on the subject. You will need to tell us their name, title and where they may be reached.

METHOD: extemporaneous

TIME ALLOTMENT: 5-6 minutes

VISUAL AIDS: posters or powerpoint (required).

248 CHAPTER 12 Public Speaking Preparation and Delivery (Steps 7–10)

HAVE YOU EVER BEEN CULTURE SHOCKED?

Thesis: Culture shock can be described in four stages.

Purpose: To inform my audience of the four phases of cul- ture shock.

INTRODUCTION

I. How many of you have experienced culture shock? A. Many people experience culture shock, a reac-

tion to being in a culture very different from what they were used to.

B. By understanding culture shock, you’ll be in a bet- ter position to deal with it if and when it happens.

II. Culture shock occurs in four stages (Oberg, 1960). A. The Honeymoon occurs first. B. The Crisis occurs second. C. The Recovery occurs third. D. The Adjustment occurs fourth.

[Let’s follow the order in which these four stages occur beginning with the first stage, the honeymoon.]

BODY

I. The Honeymoon occurs first. A. The Honeymoon is the period of fascination

with the new people and culture. B. You enjoy the people and the culture.

1. You love the people. a. For example, the people in Zaire spend

their time very differently from the way New Yorkers do.

b. For example, my first 18 years living on a farm was very different from life in a college dorm.

2. You love the culture. a. The great number of different religions

in India fascinated me. b. Eating was an especially great experience.

[But like many relationships, contact with a new culture is not all honeymoon; soon there comes a crisis.]

II. The Crisis occurs second. A. The Crisis is the period when you begin to expe-

rience problems. 1. One-third of American workers abroad fail

because of culture shock (Samovar, Porter, & McDaniel, 2008).

2. The personal difficulties are also great.

Generally, the title, thesis, and purpose of the speech are prefaced to the outline. When the outline is an assignment that is to be handed in, additional information may be required. Note the general format for the outline; the headings are clearly labeled, and the indenting helps you see the rela- tionship between the items. For example, in introduction II, the outline format helps you to see that A, B, C, and D are explanations for II. Note that the introduction, body, and conclusion are clearly labeled and separated visually. Although the speaker assumes that the audience is famil- iar with culture shock, he or she still includes a brief defini- tion in case some audience members don’t know what it is and to refresh the memory of others. Note that references are integrated throughout the outline, just as they would be in a term paper. In the actual speech, the speaker might say, “Anthropologist Kalervo Oberg, who coined the term culture shock, said it occurs in four stages.” The introduction serves two functions: It gains attention by involving the audience and by stressing the importance of the topic in the audience’s desire to gain self-understanding, and it orients the audience to what is to follow. This partic- ular orientation identifies both the number and the names of the stages. If this speech were much longer and more complex, this orientation might also have included brief definitions of each stage. Another function often served by the introduction is to es- tablish a relationship among yourself as the speaker, the topic, and the audience. In this particular speech, this func- tion might have been served by your telling the audience how you experienced culture shock and how knowing the stages helped you cope with the difficulties. You might then tell the audience that the same would be true for them and thus connect all three major elements of the speech. The transition at the end of the introduction tells the audi- ence to expect a four-part presentation. Also, the numbers repeated throughout the outline will further aid the audi- ence in keeping track of where you are in the speech. Most important, the transition tells the audience that the speech will follow a temporal thought pattern. Notice the parallel structure throughout the outline. For example, note that I, II, III, and IV in the body are all phrased in exactly the same way. Although this may seem unnecessarily repetitive, it will help your audience follow your speech more closely and will also help you structure your thoughts logically. Notice that there are lots of examples in this speech. These examples are identified only briefly in the outline and would naturally be elaborated on in the speech.

When you cite a specific fact, some style manuals require that you include the page number in the source reference.

The Public Speaking Sample Assistant THE PREPARATION OUTLINE

Here is a relatively detailed preparation outline similar to the outline you might prepare when constructing your speech. The side notes should clarify both the content and the format of a preparation outline.

6914_Ch12_pp239-265.qxd 11/16/09 1:17 PM Page 248

 

 

Step 8: Construct Your Conclusion and Introduction 249

B. Life becomes difficult in the new culture.

1. Communication is difficult.

2. It’s easy to offend people without realizing it.

[As you gain control over the various crises, you begin to recover.]

III. The Recovery occurs third.

A. The Recovery is the period when you learn how to cope.

B. You begin to learn intercultural competence (Lustig & Koester, 2010).

1. You learn how to communicate.

a. Being able to go to the market and make my wants known was a great day for me.

b. I was able to ask for a date.

2. You learn the rules of the culture.

a. The different religious ceremonies each have their own rules.

b. Eating is a ritual experience in lots of places throughout Africa.

[Your recovery leads naturally into the next and final stage, the adjustment.]

IV. The Adjustment occurs fourth.

A. The adjustment is the period when you come to enjoy the new culture.

B. You come to appreciate the people and the culture.

[Let me summarize, then, the stages you go through in expe- riencing culture shock.]

CONCLUSION

I. Culture shock can be described in four stages.

A. The Honeymoon is first.

B. The Crisis is second.

C. The Recovery is third.

D. The Adjustment is fourth.

II. By knowing the four stages, you can better under- stand the culture shock you may now be experienc- ing on the job, at school, or in your private life.

REFERENCES

Lustig, M. W., & Koester, J. (2010). Intercultural competence: Interpersonal communication across cultures (6th ed.). Boston: Allyn & Bacon. Oberg, K. (1960). Culture shock: Adjustment to new cul- tural environments. Practical Anthropology, 7, 177–182. Samovar, L. A., Porter, R. E., & McDaniel, E. R. (2008). Communication between cultures, 6th ed. Belmont, CA: Cengage. This reference list includes only those sources that appear in the completed speech.

Notice, too, the internal organization of each major point. Each main assertion in the body contains a definition of the stage (I.A, II.A, III.A, and IV.A) and examples (I.B, II.B, III.B, and IV.B) to illustrate the stage.

Note that each statement in the outline is a complete sen- tence. You can easily convert this outline into a phrase or key word outline to use in delivery. The full sentences, however, will help you see relationships among items more clearly.

Transitions are inserted between all major parts of the speech. Although they may seem too numerous in this ab- breviated outline, they will be appreciated by your audi- ence because the transitions will help them follow your speech.

Notice that these four points correspond to II.A, B, C, and D of the introduction and to I, II, III, and IV of the body. Notice how the similar wording adds clarity.

This step provides closure; it makes it clear that the speech is finished. It also serves to encourage reflection on the part of the audience as to their own experience of culture shock.

The Public Speaking Sample Assistant (continued)

6914_Ch12_pp239-265.qxd 11/16/09 1:17 PM Page 249

Sula A Novel By Toni Morrison

Choose only ONE of the following options below and write a post that agrees OR disagrees with the assertion. Cite specific scenes and/or use specific quotes from the novel to support your position. Your answer should be written in no fewer than 200 words.

When you are done posting your response, reply to at least one classmate in no fewer than 75 words.

  1. Although the novel is titled Sula, the real protagonist is Nel because she is the one who is transformed by the end.

OR

  1. While the community ostracizes Sula, it is subconsciously grateful for her presence.

Your discussion board will be graded according to the following criteria:

  • 80% – Thoughtful original post that includes specific scenes from the novel to support your position (at least 200 words)
  • 20% – Thoughtful response to a classmate’s post that elaborates on what s/he has said (at least 75 words)

NOTE: Please comply with all Netiquette Guidelines