Thread 2 – over the next few days, you will start thinking about Art, and learning about Plagiarism.

An issue we have heard about a lot in recent years is the ‘stealing†of music from an artist, and using it in a performance or as part of a new work of art without giving proper credit to the original creator/artist. This is a type of ‘Plagiarismâ€. Some believe it isnâ€t a big deal, while others believe it is a crime. What do you think? Is there any way to solve this issue to the benefit of everyone?

Be sure to write one post of at least 150-200 words, and then reply to the posts of at least two of your classmates. Be sure to reply in a way that furthers the discussion – donâ€t just say ‘I agree†or ‘nice postâ€. You should write a reply of at least 50 words. Do not cite any outside sources.

You must post your own submission first by choosing “Create Thread” before being able to see other posts.

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This week we read our first play, Manahatta, and discussed the musical Hamilton. Both of these scripts raise important questions about “authenticity” and representation at at least two levels: the level of production (ie casting in Hamilton) and at the level of narrative (in the story told) like the questions about different Snake family members Native identities in Manahatta. Using specific examples (lines, actions, plot points, actors details, etc) discuss how authenticity of identity functions or doesnt function at the level of either production or narrative.