Reflection paper #1 | dance 005

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So far in this course, you all have explored the relationships between Folklórico dance and nationality, ethnicity, and race. You have also viewed dances that are reflective of this theme, specifically “The Jarabe Tapatío.” In addition, you have engaged in practical movement experiences of these two things (nationality/ethnicity/race & The Jarabe Tapatío) through our dance tutorial videos and live class meetings. For this assignment, you will merge these experiences in this module to write this week’s reflection paper.
REFLECT:
In this paper, reflect on the readings, viewings, lectures, and your experience with learning The Jarabe Tapatío. Consider everything you have learned and experienced: how the dance looked, how it felt to practice and then perform it, and the story of “The Jarabe Tapatío.” Also, reflect on how the genre of folklórico dance more broadly shapes identity (national, ethnic, race) both in México and the United States. You will be required to use these as support for your writing in this paper.
WRITE:

Describe the relationship(s) between Folklórico and nationality, ethnicity, and race. What do you understand this relationship to be? Discuss the development of folklórico dance as a genre in the United States and México. Use the readings, lectures, and viewings to support your ideas.
Next, discuss The Jarabe Tapatío. What is the story of the dance? Talk about any attributes of movement, culture, or performance that you think are identifiably “Mexican folklórico.”
Lastly, reflect on your practical movement experience of learning The Jarabe Tapatío through the dance tutorials at home, live class meetings, and your performance. Describe the movements you experienced/observed. Consider how it felt in your body, what you did/did not focus your attention on, how you used space, relationship to the music, and other factors that affected your movement (e.g. learning at home during a pandemic, someone else’s direction, cultural codes, etc.)

Use these prompts as a guide for writing your paper. Allow your responses to develop with evidence from your readings, viewings, and movement experience. I am looking for your ability to clearly articulate your ideas with supporting movement descriptions and textual support.
Your paper should be submitted in paragraph form, 2-3 pages, double-spaced, 1inch margins, in 12pt Times New Roman. Please include a title and citations for the videos and/or texts that you discuss. Only include a Works Cited page if you used sources other than our class readings and videos. (This does not contribute to your 2-3 pages.)
Reflection Paper Checklist:

Your name, instructor name, class, and date
A Title for your paper
Your 2-3-page essay in paragraph form with in-text citations.
An additional page entitled Works Cited with your citations.

Note: Please see the rubric provided with this assignment to guide your writing.
To submit: Click on “Reflection Paper #1.” 
 Paso de tres: https://youtu.be/1BRRpmA_8joBorracho Step: https://youtu.be/NB2qLjiWnPcTijeras combo: https://youtu.be/e1-Mft-YMJ4 

data mining discussion 1 2

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Answer any one question:

Consider the following definition of an anomaly: An anomaly is an object that is unusually influential in the creation of a data model.

(a) Compare this definition to that of the standard model-based definition of an anomaly, then expound on the differences?

(b) For what sizes of data sets (small, medium, or large) is this definition appropriate?

Or

3. In one approach to anomaly detection, objects are represented as points in a multidimensional space, and the points are grouped into successive shells, where each shell represents a layer around a grouping of points, such as a convex hull. An object is an anomaly if it lies in one of the outer shells.

(a) To which of the definitions of an anomaly in Section 10.1.2 is this definition most closely related?

(b) Name two problems with this definition of an anomaly?

Or

4. Association analysis can be used to find anomalies as follows. Find strong association patterns, which involve some minimum number of objects. Anomalies are those objects that do not belong to any such patterns. To make this more concrete, we note that the hyperclique association pattern discussed in Section 6.8? is particularly suitable for such an approach. Specifically, given a user-selected h-confidence level, maximal hyperclique patterns of objects are 159 found. All objects that do not appear in a maximal hyperclique pattern of at least size three are classified as outliers.

(a) Does this technique fall into any of the categories discussed in this chapter? If so, which one?

(b) Name one potential strength and one potential weakness of this approach…

Or

5. Discuss techniques for combining multiple anomaly detection techniques to improve the identification of anomalous objects. Consider both supervised and unsupervised cases.

In the supervised case?

In the unsupervised approach?

Or

6. Describe the potential time complexity of anomaly detection approaches based on the following approaches: model-based using clustering, proximity based, and density. No knowledge of specific techniques is required. Rather, focus on the basic computational requirements of each approach, such as the time required to compute the density of each object.

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gateway healthcare system improvement plan

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You should use the Gateway Healthcare System Case study to develop an improvement plan. I will attach the case study, the assignment specifics, and he template to be used to complete the assignment. Please note that this is a 3-4 page Microsoft word document, excluding the title and reference pages, double spacing, 12-point times new roman font.

 

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Use Discount Code “Newclient” for a 15% Discount!

NB: We do not resell papers. Upon ordering, we do an original paper exclusively for you.

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Theater 101 essay | Social Science homework help

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Schechner talks about “how ancient rituals are” by using the example of paintings and sculptures found in caves in France and Spain that date from 40000-9000 BCE.

The above is a cave painting found in Chauvet. If this is indeed a “repository of group memory,” as Schechner suggests, what does this painting tell you about the lives of the people who lived here?

In two paragraphs, explain these paintings as what Schechner describes as:

  • ritual as performance
  • an artifact or trace of “communitas”

First, define each of the terms above: “ritual as performance” and “communitas,” quoting from the book. Then, analyze the cave painting as evidence of each of these ideas.

Your essay should be about 300-400 words.