Week 10 Workshop Advanced Qualitative Reasoning and Analysis

Workshop: Qualitative Research Workshop: Week 10
As Patton so rightly said, [Y]ou dont want to wait until youve collected your data to figure out your analysis approach (2015, pp. 527). You had some hands-on experience with this in RSCH 8310, in which you practiced hand-coding using two or more strategies described in Saldaas (2016) book.

Therefore, you focus here on the strategic aspects of planning your analysis. There are many ways to approach building your analysis plan.

Reconnect with your approach: Revisit methodological books and articles and published research that uses the approach you proposed. Use these as guidelines for deciding where and how to start the analysis process.
Connect your approach to your sample: Revisit why you chose the participants you did. What does your approach require in terms of information-rich cases for analysis? Were you considering intensity sampling to saturate a phenomenon? Diversity sampling to examine common experiences across diverse demographic or geographic criteria? Your analysis strategy must align with your approach and sampling purpose.
Be willing to be wrong: The phenomenological technique of epoche (also known as bracketing) is a helpful way to make visible all of your pre-existing notions and plans of what you hope to find by making a transcript or written document prior to beginning the data analysis. Compare this document against your analyses to make sure you are discovering new insights, unpredicted findings, and discrepancies; proving that you were right is not the purpose of your study.

In this Workshop, you will describe your analysis plan.

By Day 3
Post responses to the following:

Restate your research question, your chosen approach, and your sampling plan.
Identify the key elements of data analysis that are consistent with your chosen approach to propose your analysis plan. Be sure to cite sources specific to your approach as well as your textbooks.
Choose one coding method and code both interviews. Indicate the codes in the text of the transcript or summary. You can use Excel or Word. Attach this document to your post.
By Day 5
Review your debriefing partners analysis plan. Then, provide feedback on the alignment of the plan with the approach and provide feedback on the coding document.

Submission and Grading Information
Grading Criteria
To access your rubric:

Workshop Rubric

Post by Day 3 and Respond by Day 5
To participate in this Workshop:

Week 10 Workshop

reflection about a movie

Each of the films listed below focuses on an issue central to women and justice in Canada. Please choose one film to view and on which you will base your critical reflection. Choose a topic that is central in the film of your choice (i.e., domestic violence, sexual harassment of women in policing, women behind bars, deaths in custody, missing and murdered indigenous women, sex trade workers, prevention programs, mental health programs, healing, etc.) Use at least two (2) scholarly sources (academic journal article, book chapter, or book) to craft an argument that analyzes to what extent (or not) womens sense of justice is being served through either traditional (e.g., criminal, legal) or alternative (e.g., restorative, transformative) approaches to justice. For full marks, you should incorporate material from the lectures and required readings into your papers, in addition to the scholarly sources. It will not be sufficient to simply summarize the film and/or the scholarly sources or required readings, but you must connect themes and ideas from the lectures/articles to those presented in the film, as well as analyze and critique implications for womens justice.

Specific Requirements:

5 pages (plus References page)
Full sentences with proper spelling and grammar
In-text citations referencing at least two (2) scholarly sources (academic journal article, book chapter, or book) using APA format (Links to an external site.)
References page in APA format (Links to an external site.)
Lines should be double-spaced, 12-point Times New Roman font, normal margins, page numbers

USE OF A LATENCY-BASED DEMAND ASSESSMENT TO IDENTIFYPOTENTIAL DEMANDS FOR FUNCTIONAL ANALYSES

Submit an article review on the Call et al. (2016) article:
Purpose- a statement clearly stating the what the study aimed to evaluate – 2 points

Method- describe the following;

the study population (diagnosis, demographics) – 2 point
dependent variable of interest (target behavior), – 2 points
experimental design – 2 points
independent variable (intervention) – 2 points
Results- identify and state the main findings of the study – 4 points

Discussion-state the implications of the study in terms of its social significance (2 points), identify the limitations of the studys generality (2 points), and identify future research (2 points).

INTRODUCTION TO HUMANITIES

Need an analysis of from one of these following themes;

Classical Period:
Sappho [Like the very gods] ca. 7th century B.C.E. (poetry)
Plato, Apology, ca. 399 B.C.E. (philosophy)
Hadrian, Pantheon, ca. 118-125 C.E. (architecture)
Phidias, Athena Parthenos, ca. 438 B.C.E. (model of the lost original sculpture)

Renaissance:
William Shakespeare, Sonnet 116, Let me not to the marriage of true minds admit impediments, 1609 (poetry)
Christopher Marlowe, The Passionate Shepherd to His Love, ca. 1599 (poetry)
Sandro Botticelli, Primavera, ca.1470, (tempera on panel)
Michelangelo, Piet, 1498-1499 (sculpture)
Josquin des Prez, Mille Regretz (French Chanson), c. 1521
Thomas Weelkes, Sing We at Pleasure (English madrigal), c. 1598

Enlightenment:
Jonathan Swift, A Modest Proposal 1729 (satirical essay)
Mary Wollstonecraft, Excerpt from Chapter 9 from A Vindication of the Rights of Woman 1792 (essay)

NeoClassical:
Angelica Kauffmann, Cornelia Pointing to her Children as Her Treasures, 1785, oil on canvas
Jacques-Louis David, Oath of the Horatii, 1784, oil on canvas

Classical Music:
W. A. Mozart, Piano Concerto No. 20 in D Minor, K. 466 – “Romanze” (second movement), 1785
Joseph Haydn, Symphony No. 94 Surprise Symphony (second movement), 1792

Romanticism:
John Keats, When I Have Fears That I May Cease to Be, 1818 (poem)
Harriet Jacobs, Chapter 1 from Incidents in the Life of a Slave Girl, 1861 (autobiography)
Thodore Gricault, The Raft of the Medusa, c. 1819, oil on canvas
Francisco de Goya, Saturn Devouring His Son, 1820-1823 (mural transferred to canvas)
Franz Liszt, Hungarian Rhapsody No. 2, 1847
Beethoven, Piano Concerto no. 5 in E flat major, Op. 73 (Emperor Concerto), 1809-1811

Realism:
Guy de Maupassant, The Necklace, 1884 (short story).
Kate Chopin, Dsires Baby 1893 (short story)
Rosa Bonheur, The Horse Fair, 1852-1855, oil on canvas
Henry Ossawa Tanner, The Banjo Lesson, 1893, oil on canvas
Scott Joplin, Maple Leaf Rag, 1899 (piano musical composition)
Claude Debussy, Clair de lune (from the Suite Bergamasque), 1905, orchestral (originally a piano suite)

Attached is a PDF of the details and a DOC that has the layout that will work fine, just fill in under the bold sections.