Nationalist Composers in Europe

Extreme Nationalism began in Europe 1840 -1925 and composers became heavily involved in aspects of patriotism and protectionism in support of their native countries.  These composers used their music to make deliberate statements about political difficulties their countries were facing such as foreign interference and domination, to invoke national pride among citizens, to showcase unique ethnic characteristics they were proud of, and to celebrate their county in the concert-halls of world.

Choose TWO (2) Nationalist composers from the list below, from 2 different countries, and thoroughly address the items about each one using the following format:

COMPOSER #1 ___________________________ Country___________________

1)  Provide complete biographical information about this composer (15 pts);

2)  Provide a complete history of the “nationalist/political issues” facing their country during this composer’s life,  and explain why & how these composers were “nationalistically” involved;  how was their music used, what did they promote, why was it important for that country?  (20 pts.);

3)  Describe two (2) examples of their nationalistic compositions and the background / reasons these pieces were written;  what is “nationalistic” about these pieces?  (15 pts). 

COMPOSER #2 ___________________________ Country____________________

1)  Provide complete biographical information about this composer (15 pts);

2)  Provide a complete history of the “nationalist/political issues” facing their country during this composer’s life,  and explain why & how these composers were “nationalistically” involved; how was their music used, what did they promote, why was it important for that country?  (20 pts.);

3)  Describe two (2) examples of their nationalistic compositions and the background / reasons these pieces were written; what is “nationalistic” about these pieces?  (15 pts).

Your Paper must discuss each composer separately and be divided into sections 1) 2) 3)  as shown above.

RUSSIA:    Glinka / Rimsky-Korsakov / Borodin / Tchaikovsky

POLAND:    Chopin / Moniuszko

CZECH REPUBLIC:    Smetana / Dvorak / Janacek

NORWAY:  Grieg

FINLAND:  Sibelius

SWEDEN:  Alfven

HUNGARY:    Bartok / Kodaly

ROMANIA:  Enescu

SPAIN:    Albeniz / de Falla / Granados

MEXICO:    Ponce

ENGLAND:    Elgar / Vaughn-Williams / Parry / Holst

USA:    Copland / MacDowell / Ives

When submitting your Research Paper,  DO NOT copy from Google. docs and attempt to paste directly into the Text Box!  The coding in Google. docs does not allow your text to “wrap” appropriately, and your assignment comes out with single line sentences that are 7 miles long! 

If you are using Google.docs, please copy/paste from Google docs. into a program like Word Pad or Note Pad, and THEN copy from one of those into your Text Box space.  This process removes the code that prevents the text wrapping and your Paper will appear in normal and readable paragraph form.  Papers that do not have the proper format (“wrapped”) will not be counted.

All sources must be credited (any bibliographic format is acceptable, but MLA preferred) and all submissions will be automatically checked for plagiarism using SafeAssign & Turnitin.  Any papers found to contain plagiarized content will receive an E for failure (See MOD A Grading Policy and Course Syllabus). This assignment is worth 100 points.

Women of the blacks arts movement reflective Essay

For this reflective essay, I want you to piggyback off what youll write in this discussion( Order 165293383) If you selected in the discussion to write about Sonia Sanchez, then continue your analysis on Sanchez, or if you wrote in the weekly discussion about June Jordan then continue your analysis on Jordan. Develop a two page reflection that reflects upon how a poem (your choice either from the anthology or one you find online) by Sanchez or Jordan reflects women’s liberation (particularly for women of color) and women’s social justice or protest against social oppressions. I would like for you to find one outside source on your own to help back up and support your viewpoint; please quote at least once from the secondary (outside) source you use, and quote from the poem itself. Place both the poem and the outside source on a works cited page (works cited does not count toward the two pages of content). Should you need to write more than two pages and go over that page limit, that is perfectly fine! Write as much as you need to address the themes of women’s liberation, social justice, and protest, within the poem. Even if the poem you are looking at is about the theme of love or relationships, think about how that theme can be used by a female poet to make a larger, broader statement about the treatment of women in society. I am really looking forward to seeing your responses and reflections this week on these two fabulous, historic, talented, and amazing black poets! As always, use MLA format with your heading, in text citations, and works cited. 

Property Investigation and Data Collection

Assume you are a real estate investor. Target a specific New York City investment property for investigation and analysis. Inspect the property to the extent possible. Collect as much data as you can on the issues identified below. Write a preliminary due diligence report which presents and discusses the data that you collected on your property in a narrative format. The documents should be attached to the report and be referred to as Exhibit 1, Exhibit 2, etc. Use a professional writing style (avoid personal pronouns) and include citations in the narrative and bibliography. You may use APA or MLA format.

Property Description
1. Geographic location, photo, map
2. Size (if land, number of acres; if built, number of stories)
3. New or existing construction
4. Market and SubMarket
5. Proximity to transmit/infrastructure?
6. Approximate amount of rentable space?
Map and legal description.

Title and Ownership Issues
1. Who holds legal title to the property? (Fee simple or leasehold)
2. Are there any mortgages or liens recorded against the property?
3. Any recorded or known leases?
4. Any recorded easements or restrictive covenants?
Deed, ground lease, net lease

Property Condition Assessment
A. When was the property built?
B. What is its construction? (brick, steel, woodframe, etc.)
C. What is the flood risk level?
D. What is the propertys overall physical condition?
E. Any building, health or safety code violations of record?
F. Any environmental risks posed that could affect value?
by age (pre1978 leadbased paint)
by use (manufacturing/industrial)
by location (EPA)
Photos of multiple elevations, if possible/aerial shot Violation search report

Zoning and Land Use Constraints
A. What is the propertys zoning map designation?
B. What are the permissible uses of the property under current zoning laws?
C. What uses are prohibited?
D. Is the property a landmark or located in a landmark district?
E. FAR: How big is the lot? What is the propertys Floor Area Ratio? Are
there setback requirements in this district? Is the lot fullybuilt?

NYC Zoning and Land Use (“ZOLA”)
http://maps.nyc.gov/doitt/nycitymap/template?applicationName=ZOLA

NYC Dept. of Finance Automated City Register Information System (“ACRIS”)
http://a836-acris.nyc.gov/CP/

NYC Dept. of Buildings – Buildings Information System
http://a810-bisweb.nyc.gov/bisweb/bsqpm01.jsp

Social Determinant of Health

Step 1: Select a social determinant of health (SDH) that is outside of the individuals control from the SDH model. Can be found on world health organization web site.

Step 2: Explain by providing 2 examples of why your selected SDH should be a concern to doctors.

No cover page, no header or footer on paper, no title needed and no filler titles or spaces in the paper. Times new roman, 12 pt, thank you.